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Lewis often asserted that art could not solve society’s problems, but Evening Rendezvous is a deeply political painting. The abstract dabs of white emerging from a gray twilight are hooded Klansmen, gathered around a bonfire suggested by the hot reds at the center of the image. Angular white shapes in the foreground describe men closest to the headlights of their cars , while those at the top are obscured by blue smoke. The combination of red, white, and blue mocks the patriotism that the Klan claimed as its defense.

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