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Liss LaFleur combines kitsch, objects of consumerism, and queerness in her exhibit Greener Pastures. LaFleur’s work often originates with the artist creating extensions of the body as props for performances to exploit how history, language, and expectations work to etch identity into (or out of) one’s existence. LaFleur confronts the biological, historical, and political ideologies of the cowgirl to outline a new conceptual territory surrounding sensuality, the feminist body, and the South.

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