Pandanus mat

In this work, Djibigula has utilised a technique known as three-strand twining, which involves the use of three separate lengths of pandanus to produce a mat with a raised surface. The artist has alternated techniques, between traditional three and two-strand twining, to create a mat with modulating density. The vibrancy of the natural dyes reflects that this mat was executed in the wet season. In a manner characteristic of several accomplished Kunwinjku weavers, Djibigula has predominantly used rich natural dyes (purple and orange). She has woven these colours together in a ‘chopping’ style. Djibigula’s application of colour and her twining method have resulted in a large, shimmering and balanced fibre work © Museum and Art Gallery of the Northern Territory