The Museum of Modern Art of Bahia's stunning location, the historic manor Solar do Unhão, overlooking the ocean and surrounded by lush greenery, adds an extra layer of beauty to the art experience to the most important space of modern and contemporary art of the state of Bahia.
The Solar do Unhão was initially built in the 17th century and boasts a fascinating past, shifting hands from the Benedictines to wealthy families, eventually even becoming a snuff factory in the early 1900s.
The first record of it dates back to the 16th century. It was owned by Gabriel Soares de Sousa, a Portuguese colonizer, farmer, and chronicler. He died during an expedition near the headwaters of the Paraguaçu River, leaving the area to the Benedictines of Bahia in his will.
In 1943, the Solar was award the status of a national heritage site. Then, in the early 1960s, the State Government acquired it, envisioning a museum dedicated to Bahia's rich cultural heritage hiring architect Lina Bo Bardi to lead the restoration.
The Italian-Brazilian architect, also known for designing the project for the Museum of Art of São Paulo (MASP), not only conceived the idea of the Museum of Modern Art of Bahia, but also became its first director from 1959 to 1963.
In 1998, a new Sculpture Garden and the Rubem Valentim Pavilion were incorporated into the museum area.
Today, MAM-BA's exhibition halls showcase renowned artists from Brazil and beyond, firmly establishing the museum as a leading force in the national contemporary art scene.
Beyond art exhibitions, the museum offers a vibrant cultural calendar. From multilingual events to ongoing educational programs, the museum fosters a dynamic community of learning and engagement.
The bull
The bull's form is simplified and geometric, echoing the cubist influences that permeated the early 20th century.
The vibrant colors and powerful imagery reflect the strength and resilience of Brazilian culture.
The colors
Tarsila embraced bold, unconventional colors like pure blue and violet pink, which were considered 'ugly' or in bad taste at the time.
Tarsila do Amaral was a pioneering modernist painter that helped define Brazilian art with her colorful and nationalistic style.
Serra do cupim
His work is cherished for showcasing the soul of Bahia and its rich Afro-Brazilian heritage.
Bahia wasn't just his muse, it became his home
After his initial visit in 1944, he moved there permanently in 1957, becoming a naturalized citizen in 1958.
An Argentinian-born artist, Carybé fell in love with Bahia's vibrant culture.
A native of Bahia, Arlete is known for having worked with many other local artists, including photographer Pierre Verger, and for capturing many aspects of Bahia culture through her lenses.
"Iaô" is a term in Candomblé for someone who's newly initiated and undergoes religious training.
Iaôs na Igreja da Conceição da Praia
Candomblé is a vibrant Afro-Brazilian religion that worships the orixás, spirits of nature and humanity.
Salvador is the city with the largest population of African descendants in the world
Discover Black Art at MAM-BAA multi-faceted artist
Though known for murals, Panmela Castro's art extends beyond walls, with her captivating paintings delving into the complexities of women's lives and social challenges.
Ana Cláudia Lemos Pacheco
She is a researcher from the Federal University of Bahia, whose work revolves around the study of the "solitude of the Black woman" which inspired Panmela Castro to create a series of paintings on the subject.
Panmela Castro, a prominent Brazilian artist, uses her work to explore themes of gender, race, and social justice.
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