Biennale Jogja XI 2011 (Indonesia - India)

Curated by Alia Swastika (Indonesia) and Suman Gopinath
(India). Shadow Lines, the first edition of Biennale Equator suggests imaginarylines that draw people together and pull them apart; it also refers to
geo-political borders and the creation of modern states in South Asia. There were 43 artists who participated in the event.

A Person Who Once We Called 'The Other' (2011/2011) by Akiq AW Yayasan Biennale Yogyakarta

With its overarching theme of ‘religiosity, spirituality and belief’, the Biennale attempted to present ways in which artists from the two countries address and interpret their contemporary conditions, informed by their personal experiences and also by the political structures of the countries they live in.

Cosmic Labyrinth: The Bells (2011/2011) by Albert Yonathan Yayasan Biennale Yogyakarta

You Where There (2011/2011) by Andy Dewantoro Yayasan Biennale Yogyakarta

Stitching the Wounds (2006/2006) by Arahmaiani Yayasan Biennale Yogyakarta

End of Negotiation (2011/2011) by Ariadhitya Pramuhendra Yayasan Biennale Yogyakarta

Bird Prayers (2007/2011) by Arya Pandjalu & Sara Nuytemans Yayasan Biennale Yogyakarta

...Today I Kill The First Layer and I Find Other Layer Living as Landscape, Landscape, Landscape.. (2009/2010) by Christine Ay Tjoe Yayasan Biennale Yogyakarta

India’s influence on Indonesian culture, particularly in Sumatra, Java, Bali and amongst several ethnic groups in the eastern archipelago, has contributed greatly to pluralism in Indonesia.

Series 'Mirror Sees Me' (2010/2011) by Erika Ernawan Yayasan Biennale Yogyakarta

From Msytical to Materialistical (2011/2011) by Irwan Ahmett Yayasan Biennale Yogyakarta

Paradise (2011/2011) by Iswanto Hartono Yayasan Biennale Yogyakarta

Site of Gods (2011/2011) by Jompet Kuswidananto Yayasan Biennale Yogyakarta

Video Poem (2011/2011) by Krisna Murti Yayasan Biennale Yogyakarta

Although there are many similarities in Indian and Indonesian cultures, there are also many differences in the respective cultural contexts.

A Conversation with the Black (2011/2011) by Melati Suryodarmo Yayasan Biennale Yogyakarta

Linkage (2011/2011) by Nurdian Ichsan Yayasan Biennale Yogyakarta

God Exile (2011/2011) by Octora Yayasan Biennale Yogyakarta

Mohammad and Me (2006/2006) by Paul Kadarisman Yayasan Biennale Yogyakarta

Throughout history, much of the interaction between these two countries has been through religion.

Echo (2011/2011) by R.E. Hartanto Yayasan Biennale Yogyakarta

Movie Wagon (2011/2011) by ruangrupa Yayasan Biennale Yogyakarta

Idols (2011/2011) by Setu Legi Yayasan Biennale Yogyakarta

Noah Ark (2011/2011) by Theresia Agustina Sitompul Yayasan Biennale Yogyakarta

Several of the religions that are currently practiced by Indonesians were brought to the archipelago by Indian traders or religious practitioners.

Ten Commandments (2011/2011) by Theresia Agustina Sitompul Yayasan Biennale Yogyakarta

Read (2011/2011) by Titarubi Yayasan Biennale Yogyakarta

Pilgrimage (2011/2011) by Tromarama Yayasan Biennale Yogyakarta

Holy War #1 and #2 (2011/2011) by Wedhar Riyadi Yayasan Biennale Yogyakarta

With the establishment of religion as social institutions encompassing spiritual and cultural practices, varying interpretation of religious texts reflects role of religion in relationship to political power.

Ka'bah (2011/2011) by Wimo Ambala Bayang Yayasan Biennale Yogyakarta

Study Forum for Certain Case (2011/2011) by Wiyoga Muhardanto Yayasan Biennale Yogyakarta

Neti! Neti! (Not This! Not This Either!) (2011/2011) by Anita Dube Yayasan Biennale Yogyakarta

Please Don't Piss Nor Spit Here / Rejected Gods (2011/2011) by Archana Hande Yayasan Biennale Yogyakarta

The Names Of The Statues (2011/2011) by Atul Dodiya Yayasan Biennale Yogyakarta

Both India and Indonesia are facing situations where religion is sometimes politicized to cause social conflicts and emphasize differences.

School (2011/2011) by K.P. Reji Yayasan Biennale Yogyakarta

Reminder (2011/2011) by N.S. Harsha Yayasan Biennale Yogyakarta

Untitled Series (2011/2011) by Prabhavathi Meppayil Yayasan Biennale Yogyakarta

The Motherland (2011/2011) by Pusphamala N Yayasan Biennale Yogyakarta

Magic Landscape (2006/2006) by Riyas Komu Yayasan Biennale Yogyakarta

The art works in the exhibition underline a critical perspective towards religiosity and evoke hidden or unseen feelings and interpretations of the ways religiosity is perceived in our everyday lives.

Undertakers III (2008/2008) by Riyas Komu Yayasan Biennale Yogyakarta

Reality Bites (2011/2011) by Sakshi Gupta Yayasan Biennale Yogyakarta

Ganga's Daughters (1992/2002) by Sheba Chhachhi Yayasan Biennale Yogyakarta

Best Cutting (2008/2008) by Sheela Gowda Yayasan Biennale Yogyakarta

Ground Shift (2007/2007) by Sheela Gowda Yayasan Biennale Yogyakarta

Untitled (There is No Border Here) (2005/2006) by Shilpa Gupta Yayasan Biennale Yogyakarta

Infinite Threat, Infinite Regress (2008/2008) by Sreshta Rit Premnath Yayasan Biennale Yogyakarta

Untitled (2005/2005) by Sreshta Rit Premnath Yayasan Biennale Yogyakarta

Coherent Earth (2011/2011) by Valsan Koorma Kolleri Yayasan Biennale Yogyakarta

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