The AR-t of Color

Step into the history of colors in art with a virtual gallery

By Google Arts & Culture

Melancholy Woman (1902) by Pablo Picasso Detroit Institute of Arts

"Seeing red", "feeling blue", "green with envy". Abstract artist  Wassily Kandinsky  once said, “color is a power which directly influences the soul”; and there's no disputing it when you see the melancholy blues and greens of Picasso’s  Blue Period , or the vibrant, happy yellows of a simple vase of  Sunflowers  by Van Gogh.

The Art of Color Pocket Gallery: Black and White Room

Color  has been an inspiration to artists for centuries, and has now inspired the latest “ Pocket Gallery ”, a feature of the Google Arts & Culture app that uses Augmented Reality to create a virtual space that you can explore.

Girl with a Pearl Earring (c. 1665 (digitized by Madpixel)) by Johannes Vermeer Mauritshuis

After the last Pocket Gallery brought  all of Vermeer's paintings  together for the first ever time last year, the latest edition features a variety of artists’ works, captured in high resolution and selected according to each artwork's colors.

The Art of Color Pocket Gallery

In “The Art of Color,” you can explore four rooms of paintings that each represent a different color palette — you’ll also find a dark room that juxtaposes Rembrandt’s iconic masterpiece  The Night Watch  with the mind-bending Op art of  Bridget Riley .

Red Cannas (1927) by Georgia O'Keeffe Amon Carter Museum of American Art

The new Pocket Gallery features art from 33 galleries and museums across four continents, and allows you to learn about works of many different eras and styles. From renowned masterpieces to hidden gems, “The Art of Color” brings together artworks that have never been seen together before in real life, like Georgia O’Keeffe’s  Red Cannas , Amrita Sher-Gil’s  Mother India  and Hokusai’s  South Wind, Clear Dawn .

The Art of Color Pocket Gallery

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The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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