Mardley-zome

Colorful patterns created by a blend of dots and lines.

By Kyoto Women's University, Lifestyle Design Laboratory

Kyoto Women's University, Lifestyle Design Laboratory

Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Mardley-zome

“Mardley-zome” is a dyeing technique in which varied patterns are created through stirring colored pastes. 

Mardley-zome 「Made in Japan:日本の匠」 (2016) by Kawahara Ryotaro Kyoto Women's University, Lifestyle Design Laboratory

Yuzen-dyer, the Hibino Family Kyoto Women's University, Lifestyle Design Laboratory

By applying the special technique of ladling used in suminagashi dyeing which was developed in the Meiji period (1868-1912), the art of transferring marbled paste dyes onto fabric was born in the Taishō period (1912-26). 

Kimono, Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Using various tools and methods of stirring creates an infinite variety of pattern variations.

Dress, Mardley-zome (2016) by Kawamura Sayuri Kyoto Women's University, Lifestyle Design Laboratory

The lines flow naturally, delicately mixing into a fusion of colors that has a unique appeal not found in other dye methods.

Scarf, Mardley-zome (2016) Kyoto Women's University, Lifestyle Design Laboratory

Tools for Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Tools

Tools are used according to the desired outcome, such as comb, bow, brush, rake or a stick to stir the iro-nori (dye paste).

Preparing the dye paste, Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Preparingthe dye paste

The dye is mixed with Yuzen-nori (paste) made from starch, rice barn, and salt then the viscosity is adjusted to each color; the jiiro-nori (base color paste) for the dominate color and sashiiro-nori (enhancing color paste) for varieties of contrasting colors.

Jiironori-oki (applying the base color), Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Jiironori-oki(applying the base color)

First the base colour, jiiro-nori is spread evenly over a wooden board with a flat squeegee. The thickness and viscosity of the paste is adjusted according to the desired pattern. 

Sashiironori-oki (applying the enhancing colors), Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Sashiironori-oki(applying the enhancing colors)

The main sashiiro-nori is applied first, and then the color(s) used as accents applied on top of the prepared jiiro-nori. The amount of each color paste is adjusted to the pattern.

Transferring the colors onto the fabric, Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Transferring
the colors onto the fabric 

When the desired patterns are completed, fabric is laid carefully on top of the dye paste, so that the colors adhere to the fabric.

Applying sawdust, Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Applying
sawdust 

Once the pattern is transferred onto the fabric, the fabric is carefully removed from the board. Then sawdust is applied evenly over both sides of the fabric.

Steaming process, Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Steaming

With the sawdust still applied, the fabric is steamed. Extra attention must be made so that the paste doesn’t touch each other.

Rinsing with water, Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Rinsing with water 

The stunning patterns of organic lines surface when the sawdust and paste are rinsed away in running water.

Stirring the color paste, Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Stirringthe color past

Tools such as comb, bow, or rake-like implements are used to stir the colorful dye pastes so that they swirl together and form various patterns. 

Finishing process, Mardley-zome (2016) Kyoto Women's University, Lifestyle Design Laboratory

Finishing

Heating the dry cloth makes it easier to shape the garment when tailoring and enriches the texture.    

Tailoring process, Mardley-zome (2016) by Kawamura Sayuri Kyoto Women's University, Lifestyle Design Laboratory

Tailoring

The fabric is then cut and tailored according to the design to complete the dress.   

Kaigara (shells), Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

PatternVariations

The patterns, such as kuzaku (peacocks), kanze-mizu (water waves), yagasuri (arrowheads), shibori (tie-dye), tachidaki (waterfall), kaigara (shells), are created during the procedure by the placement of the sashiiro-nori and by the method of stirring. 

Kanze-mizu (water waves), Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Shimadan (layered stripes), Mardley-zome by MARDLEY Co., Ltd. Kyoto Women's University, Lifestyle Design Laboratory

Suminagashi (marbling), Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Kuzaku (peacocks), Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Wakusei (planet), Mardley-zome Kyoto Women's University, Lifestyle Design Laboratory

Umbrella, Mardley-zome (2016) Kyoto Women's University, Lifestyle Design Laboratory

FuturePossibilities

“Mardley-zome” can achieve infinite patterns using special tools to intersect dots and lines of various colours creating natural movement. Beyond the use for Kimono’s and small accessories, the technique seeks possibilities in a wide range of fields, such as western garments and home decor.

Stool, Mardley-zome (2016) Kyoto Women's University, Lifestyle Design Laboratory

Lamp shade, Mardlay-zome (2016) Kyoto Women's University, Lifestyle Design Laboratory

Sensu (Fan), Mardley-zome (2015) Kyoto Women's University, Lifestyle Design Laboratory

Dress, Mardley-zome (2016) by Kawamura Sayuri Kyoto Women's University, Lifestyle Design Laboratory

Credits: Story

Information and images provided by:
MARDLEY Co., Ltd.

Supervision & text:
Hibino Jumpei, MARDLEY Co., Ltd. CEO

Movie:
Kawahara Ryotaro 

Supported by:
Professor Aoki Mihoko ( Kyoto Women's University )
Kawamura Sayuri 

Exhibition created by:
Sugishima Tsubasa

English translation:
Miyo Kurosaki Bethe

English editor:
Melissa M. Rinne ( Kyoto National Museum )

Project Directors:
Professor Shinya Maezaki ( Kyoto Women's University )
Dr. Masako Yamamoto

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.
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