The Best Digital Cameras for 2026

PCMag has been covering digital cameras and lenses for more than 20 years , and I've been at the helm of photo reviews for most of that time, with hands-on experience with every major brand. I test cameras , both in our photo studio and out in the real world, to determine which perform best, covering the gamut from small action cameras to professional systems. Our reviews are independent and free of outside influence from camera makers—you won't see any sponsored opinions here. Cameras come in all shapes and sizes, but you'll find some of the best of each type here, including the fixed-lens Fujifilm X100VI, the full-frame Sony a7 V, and the DJI Osmo Action 6 video camera. We're always reviewing the latest and greatest models, so check back often to see if there's a new one that suits your fancy.

Best Fixed-Lens Camera

Fujifilm X100VI

Score: 5.0

Pros & Cons

• + Stunning retro industrial design

• + Magnesium and aluminum build materials

• + Clever optical-electronic hybrid viewfinder

• + Stabilized 40MP image sensor with digital zoom

• + Wide-aperture prime lens with built-in ND filter

• + Robust, dial-driven controls

• + Light, carry-friendly frame

• - Stunning retro industrial design

• - Magnesium and aluminum build materials

• - Clever optical-electronic hybrid viewfinder

• - Stabilized 40MP image sensor with digital zoom

• - Wide-aperture prime lens with built-in ND filter

• - Robust, dial-driven controls

• - Light, carry-friendly frame

Why We Picked It

The X100VI is one of the few fixed-lens cameras that's as good as swappable-lens options in terms of picture quality and handling. Though not quite pocket-sized, the camera is still quite small and light. Its bright prime lens includes an integrated ND filter to support creative exposures, while a stabilized 40MP APS-C image sensor provides a useful digital crop so you can shoot at a standard or short telephoto angle. The X100VI also looks and feels like an old film camera; serious photographers will love its hybrid optical-electronic viewfinder and discrete shutter, aperture, and exposure controls. Simply put, you can't find a better fixed-lens camera today.

Who It's For

Travelers:The X100VI's compact, weather-sealed body, stabilized APS-C sensor, and excellent Film Simulation JPG engine make it an ideal camera for travel. It's a heck of a lot lighter than an interchangeable lens body, and still delivers fantastic image quality.

Street photographers:An optical viewfinder and prime 35mm lens are preferred by photographers who take pictures of everyday life in urban environments. The optical viewfinder shows a broader view than the lens so you can anticipate action as it develops, and the moderately wide lens is ideal for conveying a sense of place.

Shutterbugs:The X100VI's classic control scheme makes it easy for knowledgeable photographers to set exposure. With discrete dials to set aperture, shutter speed, and exposure compensation, it's intuitive to control depth of field, motion blur, and brightness. Fully automatic exposure is available too.

Professionals:Pro photographers who want a lighter camera to carry for personal use and everyday photography love the X100 series. It may be a fixed-lens camera, but it's far more capable than a basic point-and-shoot, so pros won't miss their big mirrorless camera at all.

Specs & Configurations

Dimensions: 2.9 by 5.0 by 2.2 inches

Weight: 1.2 lb

Type: Compact

Sensor Resolution: 40 MP

Sensor Type: X-Trans BSI CMOS

Sensor Size: APS-C

Memory Card Slots: 1

Memory Card Format: SDXC (UHS-I)

Battery Type: Fujifilm NP-W126S

Minimum ISO: 64

Maximum ISO: 51200

35mm Equivalent (Wide): 35 mm

Stabilization: 5-Axis IBIS

Display Size: 3.0 inches

Display Resolution: 1.62 million dots

Touch Screen: True

Viewfinder Type: Hybrid

EVF Resolution: 3.69 million dots

Connectivity: Bluetooth,Wi-Fi,USB-C,Microphone (2.5mm)

Video Resolution: 6.2K

HDMI Output: Yes

Flat Profile: True

Best Superzoom Bridge Camera

Sony RX10 V

Score: 5.0

Pros & Cons

• + 25x zoom lens covers everything from landscapes to wildlife

• + Focuses close for 1:2 macro images

• + Type 1 image sensor gets sharper snaps than other superzooms

• + Fast autofocus with smart subject detection

• + 30fps blackout-free capture at Raw quality

• + 4K video at up to 120fps for slow-motion effects

• + Big 0.78x magnification electronic viewfinder

• + High-capacity Z battery gets you through a day without worry

• + Dust and splash protection for travel and outdoor photography

• - 25x zoom lens covers everything from landscapes to wildlife

• - Focuses close for 1:2 macro images

• - Type 1 image sensor gets sharper snaps than other superzooms

• - Fast autofocus with smart subject detection

• - 30fps blackout-free capture at Raw quality

• - 4K video at up to 120fps for slow-motion effects

• - Big 0.78x magnification electronic viewfinder

• - High-capacity Z battery gets you through a day without worry

• - Dust and splash protection for travel and outdoor photography

Why We Picked It

The Sony RX10 V stands alone as the only new camera available today that combines a lightweight build, large zoom range, excellent picture quality, and fast, reliable autofocus. The 2.5-pound bridge camera looks and feels a lot like a pro mirrorless, with a 24-600mm fixed zoom lens that covers everything from landscapes to wildlife to macros, a Type 1 sensor that performs well in difficult light, 4K120 slow-motion video, and weather sealing for outdoor use. It delivers premium performance for photographers who don't mind paying for it.

Who It's For

Wildlife photographers:The RX10 V's 24-600mm lens is a perfect fit for fans of wildlife, nature, and bird photography who don't want to shlep a mirrorless camera and huge zoom lens through the woods. Its 24-600mm range is incredible, and autofocus is reliable enough to get images of erratic songbirds, plus it has a great macro capability for insects and flowers.

Travelers:If you're going on a once-in-a-lifetime vacation or are a frequent globetrotter with an eye for photography, the RX10 V is a great alternative to a mirrorless kit. You won't have to fuss around with multiple lenses or accessories, so it fits easily into a carry-on, and its lens can zoom in to snap photos you'd never dream of getting with a smartphone.

Beginners with money to spend:If you're looking to step away from your smartphone for photography, the RX10 V is a great first camera. It gets great results in automatic mode, includes manual controls that you can use as you learn more about photography, and does it all without extra lenses or accessories.

Pros looking to pack light on off days:The RX10 V is one of those rare fixed-lens cameras that delivers the picture quality, autofocus response, and construction quality that will satisfy pro photographers who want to leave their big kit at home for vacations and days off work. Its viewfinder is a notable standout feature here; it's just as good as the one Sony puts in its a7 V full-frame camera, so pros can go back and forth between the two and enjoyable a similar ergonomic experience.

Specs & Configurations

Dimensions: 3.7 by 5.4 by 5.2 inches

Weight: 2.5 lb

Type: Superzoom

Sensor Resolution: 20 MP

Sensor Type: Stacked CMOS

Sensor Size: Type 1

Memory Card Slots: 1

Memory Card Format: SDXC (UHS-II)

Battery Type: Sony NP-FZ100

Minimum ISO: 64

Maximum ISO: 12800

35mm Equivalent (Wide): 24 mm

35mm Equivalent (Telephoto): 600 mm

Optical Zoom: 25 x

Stabilization: Optical

Display Size: 3 inches

Display Resolution: 1.62 million dots

Touch Screen: True

Viewfinder Type: EVF

Viewfinder Magnification: 0.78x

EVF Resolution: 3.68 million dots

Connectivity: Wi-Fi,micro HDMI,Microphone (3.5mm),micro USB,Headphone (3.5mm),USB-C,Bluetooth

Video Resolution: 4K

HDMI Output: 4:2:2 10-bit

Flat Profile: True

Best Action Camera

DJI Osmo Action 6

Score: 4.5

Pros & Cons

• + 10-bit 4K120 and 8K30 recording

• + Supports 16:9, 4:3, and 1:1 aspect ratios

• + Variable aperture F2-4 lens

• + Outstanding battery life

• + Front and rear touch displays

• + Waterproof to 65.6 feet

• + Small, mountable design

• - 10-bit 4K120 and 8K30 recording

• - Supports 16:9, 4:3, and 1:1 aspect ratios

• - Variable aperture F2-4 lens

• - Outstanding battery life

• - Front and rear touch displays

• - Waterproof to 65.6 feet

• - Small, mountable design

Why We Picked It

The DJI Osmo Action 6 is the camera to beat for video-first creators who want to document outdoor adventures, dives, and extreme sports, as well as just make vlogs. It uses a large (for an action cam) Type 1/1.3 sensor and bright F2 optics for better-looking video in dim light than you get with a GoPro at up to 4K120, a fast enough frame rate to stretch out scenes for smooth slo-mo. Plus, it includes 50GB of internal storage, standout digital stabilization, and is tough enough to handle the pressure of a 65-foot dive. Phenomenal battery life, allowing for nearly two hours of 4K60 recording per charge, cements its position atop the action cam heap.

Who It's For

Thrillseekers:The camera is rugged and waterproof, and is small enough to mount on a helmet, vehicle, or surfboard. It is waterproof to 65.6 feet and supports 4K120 capture, so you can speed up and slow down video to your heart's content.

Content creators:The Osmo Action 6 is an action camera that excels for vlogs. It delivers excellent clarity in dim light, features a front touch screen for easy self-recording, works with DJI's range of wireless microphones, and includes digital stabilization that makes handheld video smooth and stable.

Travelers:The Osmo beats other action cameras for travel thanks to its excellent stabilization and long-lasting battery. It's small enough to slip into your pocket, and its wide-angle lens can capture broad views in cavernous cities as well as epic landscapes. And if you're going to the beach, you won't have to worry, as it is practically indestructible.

Specs & Configurations

Dimensions: 1.3 by 2.9 by 1.9 inches

Weight: 5.3 oz

Type: Action Camera

Sensor Resolution: 38 MP

Sensor Type: CMOS

Sensor Size: Type 1/1.1

Memory Card Slots: 1

Memory Card Format: microSDXC

Battery Type: DJI Osmo 1,950mAh

Minimum ISO: 100

Maximum ISO: 51200

Stabilization: Digital

Display Size: 2.5 inches

Touch Screen: True

Connectivity: Wi-Fi,Bluetooth,USB-C

Maximum Waterproof Depth: 65.6 feet

Video Resolution: 8K

HDMI Output: None

Flat Profile: True

Best Compact Vlogging Camera

Insta360 Luna Ultra

Score: 4.5

Pros & Cons

• + Smooth, stable video from built-in gimbal

• + Dual lenses capture wide-angle and distant scenes

• + Removable remote control

• + 10-bit recording with stylized color, Dolby Vision, or flat I-Log

• + Snaps DNG, JPG, and 360-degree panoramas

• + Good in-camera audio, plus wireless mic support

• - Smooth, stable video from built-in gimbal

• - Dual lenses capture wide-angle and distant scenes

• - Removable remote control

• - 10-bit recording with stylized color, Dolby Vision, or flat I-Log

• - Snaps DNG, JPG, and 360-degree panoramas

• - Good in-camera audio, plus wireless mic support

Why We Picked It

The Insta360 Luna Ultra is the best handheld camera available for vlogging in the US. Its dual wide-angle and telephoto lenses make it a more versatile creative tool than the previous champ, the DJI Osmo Pocket 3 , and the Luna's excellent 4K120 video engine, Leica color profiles, gimbal stabilization, automated subject tracking, lossless 6x digital zoom, and wireless mic support make it a creative powerhouse for vloggers. We especially like that it comes with a detachable screen and controls that work as a wireless remote, a feature that's of huge benefit to content creators working solo. Its only real competition is the DJI Osmo Pocket 4P , which isn't available in the US due to the FCC's ban on new DJI products .

Who It's For

Content creators:The Luna Ultra is the camera to get if you've got a popular YouTube channel or simply want to add some production value to your TikTok clips. Its main lens uses a large Type 1 sensor with gimbal stabilization for steady, clear video in all kinds of light, and it records 4K120 widescreen and 3K vertical footage. The 3x telephoto lens uses a slightly smaller sensor, but still delivers excellent video with Leica color profiles and the same slow-mo capability. The Luna Ultra is also compatible with Insta360's line of wireless mics, so you can record audio that sounds as good as its video looks.

Travelers:The Luna Ultra is truly pocket-sized, so you can find space for it even if you're planning to live out of a suitcase. Its gimbal-stabilized lens means that you won't need to carry a big tripod, and an optional extended-life battery clips right onto its handle so you can make videos all day and into the night. Just remember that the Luna is not rugged or waterproof, so it won't replace your action cam.

Specs & Configurations

Dimensions: 6.7 by 2.0 by 1.5 inches

Weight: 8.3 oz

Type: Compact

Sensor Resolution: 37 MP

Sensor Type: CMOS

Sensor Size: Type 1 (Main Lens), Type 1/1.3 (Tele Lens)

Memory Card Slots: 1

Memory Card Format: microSDXC

Battery Type: Internal

Minimum ISO: 100

Maximum ISO: 6400

35mm Equivalent (Wide): 20 mm

35mm Equivalent (Telephoto): 60mm

Optical Zoom: 3 x

Stabilization: Gimbal

Display Size: 2 inches

Touch Screen: True

Connectivity: Wi-Fi,Bluetooth,USB-C

Video Resolution: 8K30,4K120

HDMI Output: None

Flat Profile: True

Best Affordable Full-Frame Camera

Nikon Z5II

Score: 4.5

Pros & Cons

• + Stabilized full-frame image sensor

• + Large, sharp OLED viewfinder

• + Up to 14fps Raw capture with 3D Tracking focus

• + Dust- and splash-resistant construction

• + Dual memory card slots for redundant recording

• + Records N-Raw video to SDXC cards

• - Stabilized full-frame image sensor

• - Large, sharp OLED viewfinder

• - Up to 14fps Raw capture with 3D Tracking focus

• - Dust- and splash-resistant construction

• - Dual memory card slots for redundant recording

• - Records N-Raw video to SDXC cards

Why We Picked It

The Nikon Z5II has pretty much everything an enthusiast photographer or videographer could want in an affordable camera. It focuses quickly and leverages smart subject identification to track moving objects at up to 14fps, records full-width 4K30 video with high quality H.265 or N-Raw encoding, and includes features you don't find at the entry-level including weather protection, dual memory card slots, sensor stabilization, and an oversized viewfinder.

Who It's For

Beginners:The Z5II is the perfect entry-level camera for anyone who wants to get started with photography. It has excellent out-of-camera color options, including a Deep Tone Monochrome that adds some drama to your black-and-white photos as well as several stylized color modes. Fast autofocus and fully automatic operation help you to get good images out of the gate, and manual controls give you room to grow as you learn more about photography.

Shutterbugs:Enthusiasts and photo hobbyists will find the Z5II to be a true do-it-all. It focuses fast enough for action, includes weather protection for outdoor photography, and excels for landscapes and portraits too. Its 24MP Raw images give plenty of room for you to apply a creative look to images in the editing room, and the large, sharp viewfinder is as good as you get with Nikon's upmarket bodies.

Wildlife and sports photographers:The Z5II supports 14fps focus drive with its fully electronic shutter and 11fps with its motion-freezing mechanical shutter. Both figures are brisk enough to make the camera an excellent choice for capturing animals in the wild and on-field sports action. Nikon has plenty of fantastic telephoto lenses to use for these disciplines.

Content creators:The Z5II supports full-width 4K30 and cropped 4K60 video and includes a stabilized image sensor, so it's a great choice for video and vlogging. Expert-level editors can opt to use N-Raw encoding with a flat color profile to adjust color and exposure to taste.

Professionals:The Z5II has dual memory card slots, a hard requirement for photographers covering weddings and events. Its autofocus and image quality are just as good as pricier cameras. It uses the same batteries, lenses, and interface as Nikon's professional line, which makes the Z5II a fantastic choice as a backup body.

Specs & Configurations

Dimensions: 4.0 by 5.3 by 2.8 inches

Weight: 1.5 lb

Type: Mirrorless

Sensor Resolution: 24.5 MP

Sensor Type: BSI CMOS

Sensor Size: Full-Frame

Lens Mount: Nikon Z

Memory Card Slots: 2

Memory Card Format: SDXC (UHS-II)

Battery Type: Nikon EN-EL15c

Minimum ISO: 50

Maximum ISO: 204800

Stabilization: 5-Axis IBIS

Display Size: 3.2 inches

Display Resolution: 2.1 million dots

Touch Screen: True

Viewfinder Type: EVF

Viewfinder Magnification: 0.8x

EVF Resolution: 3.7 million dots

Connectivity: Wi-Fi,micro HDMI,USB-C,Bluetooth,Microphone (3.5mm),Headphone (3.5mm)

Video Resolution: 4K

HDMI Output: 4:2:2 12-bit

Flat Profile: True

Best Micro Four Thirds Mirrorless

Panasonic Lumix DC-G9 II

Score: 4.5

Pros & Cons

• + Crisp 25MP photos with 100MP multi-sampling

• + Fast phase detect focus system

• + Effective subject recognition and tracking

• + Large, 120fps electronic viewfinder

• + 16-bit Raw images handle edits well

• + Fantastic control scheme

• + Stabilized 10-bit video

• + Works with Micro Four Thirds lens library

• - Crisp 25MP photos with 100MP multi-sampling

• - Fast phase detect focus system

• - Effective subject recognition and tracking

• - Large, 120fps electronic viewfinder

• - 16-bit Raw images handle edits well

• - Fantastic control scheme

• - Stabilized 10-bit video

• - Works with Micro Four Thirds lens library

Why We Picked It

The Lumix G9 II is the best Micro Four Thirds camera we've tested. Its sensor goes toe-to-toe with larger-format competitors in picture quality, while its huge lens library gives creators plenty of flexibility. A stabilized sensor, 10-bit 5.7K60 video capture, and a sturdy all-weather build make it a good choice for video, location, and outdoor use. We also like the revamped autofocus system that integrates phase detection pixels for high-speed capture with subject tracking.

Who It's For

Content creators:Panasonic cameras put more emphasis on video features than stills in general and the G9 II is no exception. It records 10-bit 5.7K60 video and supports Open Gate capture so you can snap clips that crop to widescreen and tall ratios, or use anamorphic lenses for a cinematic look. It also encodes video in ProRes, though you'll need to use a USB-C SSD rather than a memory card for that feature.

Shutterbugs:The G9 II's 25MP Micro Four Thirds sensor does a great job for photography and since M43 is used by multiple brands, the camera also works with lenses from OM System. The camera uses phase detect autofocus for speedy, accurate results, and its stabilized sensor supports multi-shot sampling with in-camera stitching, so you can capture landscapes and other still-life scenes at up to 100MP resolution if you want.

Travelers:The Micro Four Thirds system uses a smaller image sensor than full-frame cameras, which means that many compatible lenses are featherweights and ideally suited for travel. If you're looking for a camera that you can toss into your carry-on, the G9 II is a good choice, and since it is fully weather sealed, you can use it on both rainy and sunny days.

Specs & Configurations

Dimensions: 4.0 by 5.3 by 3.5 inches

Weight: 1.4 lb

Type: Mirrorless

Sensor Resolution: 25 MP

Sensor Type: CMOS

Sensor Size: Micro Four Thirds

Lens Mount: Micro Four Thirds

Memory Card Slots: 2

Memory Card Format: SDXC (UHS-II)

Battery Type: Panasonic DMW-BLK22

Minimum ISO: 50

Maximum ISO: 25600

Stabilization: 5-Axis IBIS

Display Size: 3.0 inches

Display Resolution: 1.8 million dots

Touch Screen: True

Viewfinder Type: EVF

Viewfinder Magnification: 0.8x

EVF Resolution: 3.7 million dots

Connectivity: Bluetooth,Wi-Fi,HDMI,USB-C,Microphone (3.5mm),Headphone (3.5mm),Remote (2.5mm)

Video Resolution: 5.7K

HDMI Output: 4:2:2 10-bit

Flat Profile: True

Best Overall Full-Frame Camera

Sony a7 V

Score: 4.5

Pros & Cons

• + 33MP full-frame sensor leaves room for cropping

• + Large EVF and dual articulating rear screen

• + 30fps tracking at 14-bit Raw with pre-capture mode

• + Robust subject detection with class-leading focus tracking

• + Full-width 4K60 video and Super35 4K120 slow motion

• + Works with CFe and SDXC memory cards

• + Outstanding battery life

• - 33MP full-frame sensor leaves room for cropping

• - Large EVF and dual articulating rear screen

• - 30fps tracking at 14-bit Raw with pre-capture mode

• - Robust subject detection with class-leading focus tracking

• - Full-width 4K60 video and Super35 4K120 slow motion

• - Works with CFe and SDXC memory cards

• - Outstanding battery life

Why We Picked It

The Sony a7 V is our overall favorite full-frame camera for most people. Its 33MP full-frame sensor delivers fantastic 14-bit picture quality and works with an autofocus system that's fast enough to track subjects and take pictures at 30fps. Its control scheme and weather-sealed body are suitable for event and outdoor photography, too. It's also a great camera for video, it records 4K60 movies with 10-bit color and its stabilized sensor keeps handheld recording smooth and jitter-free.

Who It's For

Shutterbugs:Enthusiasts who prefer to use a pro-level camera are well served by the a7 V. It uses a Partially Stacked 33MP sensor that delivers excellent picture quality and ample room to edit Raw images to taste, plus it is built to take abuse with a magnesium chassis and weather sealing. Its autofocus is right at the top of the pack, too.

Wildlife and sports photographers:Sony's autofocus system is the best in the business, and works in tandem with subject recognition for people, pets, wildlife, birds, and insects, so it's just as good for soccer or football as it is for a trip to a National Park or bird photography. The camera supports 30fps focus drive with its silent, fully electronic shutter, and includes a pre-capture that can help you snap fleeting moments that you may otherwise miss.

Professionals:If you're looking for a camera that can easily go between studio portraits, weddings and events, high school and collegiate sports, or fine art landscapes, the a7 V is it—it does it all, and does it all well. Event photographers will appreciate its class-leading battery life and dual card slots (both work with either CFe or SD) that support redundant recording for weddings and other once-in-a-lifetime events.

Specs & Configurations

Dimensions: 3.8 by 5.1 by 3.2 inches

Weight: 1.5 lb

Type: Mirrorless

Sensor Resolution: 33 MP

Sensor Type: Partially Stacked BSI CMOS

Sensor Size: Full-Frame

Lens Mount: Sony E

Memory Card Slots: 2

Memory Card Format: SDXC (UHS-II),CFexpress (Type A)

Battery Type: Sony NP-FZ100

Minimum ISO: 50

Maximum ISO: 204800

Stabilization: 5-Axis IBIS

Display Size: 3.2 inches

Display Resolution: 2.1 million dots

Touch Screen: True

Viewfinder Type: EVF

Viewfinder Magnification: 0.78x

EVF Resolution: 3.7 million dots

Connectivity: Wi-Fi,Microphone (3.5mm),Headphone (3.5mm),USB-C,HDMI

Video Resolution: 4K

HDMI Output: 4:2:2 10-bit

Flat Profile: True

Best Low-Cost Compact Camera

Camp Snap 2

Score: 4.0

Pros & Cons

• + Screen-free design keeps you in the moment

• + 35mm angle of view is ideal for snapshot photography

• + Fun filters add style to images

• + Web app lets you create your own filters

• + Included memory card stores hundreds of pics

• + Very inexpensive

• - Screen-free design keeps you in the moment

• - 35mm angle of view is ideal for snapshot photography

• - Fun filters add style to images

• - Web app lets you create your own filters

• - Included memory card stores hundreds of pics

• - Very inexpensive

Why We Picked It

The Camp Snap 2 earns huge points for ease of use and affordability. The one-button snapshooter has an optical viewfinder and a lens that gets everything in focus, so it's pretty much a digital version of the classic disposable film camera. It's a great choice for parents who want to send kids off to camp with a memory-making machine, and artsy photographers who want to embrace its low-fidelity images. I especially like its digital filters; it includes six fun looks, any of which you can customize via a web interface, which really ups its game as a creative tool compared with Camp Snap's first edition .

Who It's For

Kids:At around $75, the Camp Snap 2 digital is a great choice for parents looking for an inexpensive camera that may spark the creative spirit of the next Ansel Adams. It doesn't have a screen, so it's not as distracting as a smartphone, and is allowed at summer camps and schools that prohibit smartphones and other devices with digital displays.

Artsy photogs:Photographers with an eye for artsy photos can embrace the Camp Snap 2's low-fi pictures. Out of the box, the camera takes color photos with a grainy, grungy finish, similar to a disposable 35mm camera. There's a secret weapon available: a website that lets you create your own stylized profile or download one made by other photographers, so you can switch to black-and-white or stylized color. And since there are no exposure controls, you'll be more concerned about capturing moments than fiddling with settings.

Specs & Configurations

Dimensions: 2.5 by 4.5 by 1.3 inches

Weight: 3.8 oz

Type: Compact

Sensor Resolution: 8 MP

Sensor Type: CMOS

Sensor Size: Type 1/3.2

Memory Card Slots: 1

Memory Card Format: microSD

Battery Type: Internal

35mm Equivalent (Wide): 32 mm

Viewfinder Type: Optical

Connectivity: USB-C

Best Interchangeable Lens Vlogging Camera

Canon EOS R50 V

Score: 4.0

Pros & Cons

• + Records 10-bit 4K30 with full sensor width

• + More than a dozen color profiles and C-Log3 support

• + Dual tripod mounts for widescreen and vertical recording

• + Clear sound from three-capsule mic system

• + 24MP stills with mechanical shutter for flash sync

• - Records 10-bit 4K30 with full sensor width

• - More than a dozen color profiles and C-Log3 support

• - Dual tripod mounts for widescreen and vertical recording

• - Clear sound from three-capsule mic system

• - 24MP stills with mechanical shutter for flash sync

Why We Picked It

The Canon EOS R50 V is a mirrorless camera that puts an emphasis on video recording for vloggers and content creators, but proves to be just as capable a tool for photography—it's a true hybrid. It supports full-width 4K30 and cropped 4K60 recording and dual mounting points so it can easily move between widescreen and vertical recording, and includes a healthy set of stylized color profiles plus a flat 10-bit C-Log3 look for experts who want to grade footage in the editing room. It's also a capable stills camera thanks to its 24MP APS-C sensor, superb autofocus, and compact build.

Who's It For

Content creators:The EOS R50 V is a video-first camera. It records full-width 4K30 and cropped 4K60 with your choice of stylized color profiles or 10-bit C-Log3 for grading and includes a 3-capsule microphone system for rich, clear audio. Interchangeable lens support allows for more creative options than fixed-lens alternatives, and there are dual mounting points so you can secure it vertically for social video or horizontally for widescreen recording.

Specs & Configurations

Dimensions: 3.4 by 4.6 by 2.7 inches

Weight: 13.1 oz

Type: Mirrorless

Sensor Resolution: 24 MP

Sensor Type: CMOS

Sensor Size: APS-C

Lens Mount: Canon RF

Memory Card Slots: 1

Memory Card Format: SDXC (UHS-II)

Battery Type: Canon LP-E17

Minimum ISO: 100

Maximum ISO: 51200

Stabilization: Digital

Display Size: 3 inches

Display Resolution: 1.04 million dots

Touch Screen: True

Viewfinder Type: None

Connectivity: Wi-Fi,micro HDMI,Microphone (3.5mm),Headphone (3.5mm),Bluetooth,Remote (2.5mm)

Video Resolution: 4K

HDMI Output: 4:2:2 10-bit

Flat Profile: True

Best Mirrorless Camera Around $1,000

Nikon Z50II

Score: 4.0

Pros & Cons

• + 3D Tracking supports up to 30fps focus drive

• + Sizable buffer for burst photography

• + Full-width 4K30 and cropped 4K60 with 10-bit color

• + Easily accessible color profiles and filters

• + Light and compact build with weather protection

• + Flip-out LCD with touch support and eye-level viewfinder

• + Built-in flash

• - 3D Tracking supports up to 30fps focus drive

• - Sizable buffer for burst photography

• - Full-width 4K30 and cropped 4K60 with 10-bit color

• - Easily accessible color profiles and filters

• - Light and compact build with weather protection

• - Flip-out LCD with touch support and eye-level viewfinder

• - Built-in flash

Why We Picked It

The Z50II is the most affordable Nikon mirrorless camera with a viewfinder. It is well-suited for beginners, advanced amateurs on a budget, and anyone simply looking to get into photography as a pastime. The camera uses a 20.9MP APS-C image sensor and works with Z system lenses to snap pictures with rich tonality and shallow backgrounds, and can focus and track moving subjects at a blistering 30fps. Vloggers will like its video, too; it gets clear 4K60 footage with 10-bit color. The Z50II doesn't have many standout features but it includes dust and splash protection, not often included in cameras that cost this little, which helps cement its place as our entry-level Editors' Choice mirrorless camera.

Who It's For

Beginners:The Z50II is an ideal starter camera for budding photographers who want to get started with a camera that provides room to grow and learn, but doesn't cost an arm and a leg. It supports both fully automatic and manual controls, uses a reliable autofocus system that tracks and recognizes people, pets, wildlife, and vehicles.

Family photographers:If you're the person who is always taking photos at holidays, birthdays, and anniversaries, the Z50II is the camera to get. Its APS-C sensor performs well in typical interior lighting, and a built-in flash is a handy inclusion that you won't find on cameras marketed more squarely to professionals.

Shutterbugs:The Z50II is a good camera for photo hobbyists who don't want to deal with larger, more expensive full-frame gear. It has excellent picture quality and autofocus, and works with a wide set of lenses so you can swap out the basic zoom for a macro, background-blurring portrait lens, or a telezoom for far-off subjects. All the manual controls that serious photographers want are included, too.

Specs & Configurations

Dimensions: 3.8 by 5.0 by 2.6 inches

Weight: 17.5 oz

Type: Mirrorless

Sensor Resolution: 20.9 MP

Sensor Type: CMOS

Sensor Size: APS-C

Lens Mount: Nikon Z

Memory Card Slots: 1

Memory Card Format: SDXC (UHS-II)

Battery Type: Nikon EN-EL25a

Minimum ISO: 100

Maximum ISO: 204800

Stabilization: None

Display Size: 3.2 inches

Display Resolution: 1.04 million dots

Touch Screen: True

Viewfinder Type: EVF

Viewfinder Magnification: 0.68x

EVF Resolution: 2.4 million dots

Connectivity: Wi-Fi,micro HDMI,Microphone (3.5mm),Headphone (3.5mm),Bluetooth,USB-C

Video Resolution: 4K

HDMI Output: 4:2:2 10-bit

Flat Profile: True

Which Point-and-Shoot Camera Has the Best Image Quality?

It's no secret that smartphones have seriously hurt the demand for entry-level  point-and-shoot cameras . The latest from Apple, the  iPhone 17 Pro Max , is a better camera than any low-cost compact, and Android fans can get excellent snapshots with handsets like the Samsung Galaxy S26 Ultra or the Google Pixel 11 Pro . High-end phones are expensive, but if you're already buying a fancy handset, there's no reason to buy a low-end camera, too. If you've embraced smartphone photography, peruse our camera phone picks and check out our tips for taking the best smartphone photos .

If you aren't a smartphone user or have opted for a basic model without a high-end camera, you can buy any number of sub-$200 no-name cameras at online retailers. Just don't expect much from them. If you're not a fan of smartphone photography, you may be better off navigating the used market and finding an  older but quality compact . In either case, it's best to stick with Canon, OM System, Panasonic, Ricoh, or Sony if you care about picture quality.

It's also tricky to find a new model in stock since the name brands have largely abandoned the compact market in favor of interchangeable lens cameras. Depending on what's available when you're reading this, you may have to wait on a back order or pay above retail to get a compact camera immediately. The compact cameras that are still on sale fall into four major buckets: big zoom, big sensor, made for vlogging, and waterproof; we cover the latter in the next section.

Pocket cameras with big zoom lenses have largely disappeared. The Panasonic Lumix ZS99 is one of the only ones you can reliably find in stock for immediate delivery. Thankfully, it's an excellent example of the genre and an Editors' Choice winner. If you have the budget, the Sony RX100 VII is our favorite pocketable zoom camera; its 24-200mm lens doesn't go as far into telephoto, but its Type 1 sensor provides far better picture quality than the ZS99 and other cameras that use smaller Type 1/2.3 chips.

We consider a Type 1 sensor large for a pocket camera, as this size provides excellent dynamic range and clear images in dim light. The aforementioned RX100 VII is a good Type 1 camera to get if you prioritize zoom power, but you can spend less on a model with less telephoto power in order to get one with a brighter lens for less noise in dim light and some background blurring power. The Sony ZV-1 is a good pick here because of its Type 1 sensor and bright F1.8-2.8 lens.

Both the ZV-1 and its follow-up ZV-1 Mark II are hybrid cameras that are capable of both stills and movies. The DJI Osmo Pocket 3 is also a Type 1 camera and our current recommendation for vloggers and content creators due to its integrated stabilization gimbal . Canon's upmarket vlogging compact, the PowerShot V1 , uses an even larger Type 1.4 sensor and is a good performer for video, though its lens is a little too wide and short to recommend for everyday photography.

Other options with prime lenses and APS-C (SLR-sized) image sensors are better for experts, but beginners can still use any version of the Ricoh GR or Fujifilm X100VI in full auto mode. Like many others, demand for the GR IV, GR IIIx, and X100VI often outpaces supply. Depending on your timing, you may have to wait on a back order for a GR, and you should expect to wait weeks for delivery on an X100VI, or to pay a premium over its $1,799.95 retail price for immediate delivery.

It's telling that we can sum up the current market options in a few short paragraphs. The low-cost, compact camera segment is not the thriving space it once was. Smartphones now handle the family snapshots we used to take with pocket cameras, so photographers who strictly prefer the ergonomics of a camera must spend far more than before just to keep up with an iPhone.

Which Camera Is Best for Underwater Use?

A rugged, waterproof camera is a good option if you're an outdoor adventurer, snorkeler, beachgoer, or just a bit of a klutz. For around $550, the OM System TG-7 is the best you can get, even though you pay more for its tough frame and sacrifice picture quality versus a smartphone, and it doesn't keep up with action cameras when it comes to video. If you don't want to spend that much, you can get a Pentax WG-90 for around $380. We break down our favorite waterproof cameras in a separate story .

You can also go the action cam route. You get far better video and quality still images from the GoPro Hero13 Black or DJI Osmo Action 6, but you give up zoom power in the process. It's a trade-off you might want to make, especially if you're interested in slow-motion video. For more, click through to see our favorite action cams .

Small Camera, Big Sensor: The Best Premium Compacts

You might scratch your head when you see pocket cameras with fixed lenses selling for more than $1,000. After all, you can get an interchangeable lens model for the same price. But these slim, premium shooters target a very specific market—photographers who already own a mirrorless camera or SLR and a bunch of lenses but want something small as an alternative.

If you're after something really compact, a pocketable camera with a Type 1 sensor is worth a look. The best-quality options still on sale are the ZV-1 ($899), which has a bright zoom that opens to F1.8 on the wide end, and the Sony RX100 VII ($1,699), which puts a 24-200mm-equivalent lens into your pocket.

Photo enthusiasts are more likely to want a small camera with an imaging engine that's on par with swappable lens models. The fixed-lens Fujifilm X100VI is a top choice there. If you want to spend less and don't mind a camera without an eye-level viewfinder, the Ricoh GR IV and GR IIIx are both excellent choices, also with APS-C format sensors. Ricoh sells these as standard editions with an integrated ND filter in the lens or in HDF variations that swap out the ND for an optical soft focus filter. It also has a monochrome sensor version of the GR IV ; it's available now for around $2,200.

You can also get a fixed camera with a full-frame sensor, though prices skyrocket. The Leica Q3 uses a 28mm F1.7 prime and 60MP sensor, for instance, and its Q3 43 is the same camera with a 43mm F2.0. Leica also has the Q3 Monochrom , a black-and-white-only option with the same lens and 60MP of resolution for a similar price. These aren't big-tent cameras, but it can be rewarding to stray from the beaten path.

Zoom in Close: Bridge Cameras Just Made a Comeback

You can opt for a fixed-lens camera that's similar in size and shape to an SLR— a bridge camera —though you don't have that many from which to choose. Bridge cameras tend to have really long lenses. For instance, the Nikon P1100 has the most optical zoom power (125x) we've seen in any camera. Long lenses require some extra care to use, so these cameras usually include an eye-level EVF, a hot shoe to mount accessories, and an articulating display.

There are fewer bridge cameras made today than in years past, but the best one we've ever seen was recently released. The Sony RX10 V is expensive, costing as much as a full-frame mirrorless, but its Type 1 sensor and 24-600mm F2.4-4 lens deliver the best picture quality you'll find in the class, and its autofocus system plays on the same level as pro cameras like the Sony a7 V. Its lens may not match the zoom power of the Nikon P950 or P1100, but it has far better picture quality and smart, reliable autofocus. If you're after a lightweight option for nature, wildlife, and travel, the RX10 V is it.

Entry-Level Interchangeable Lens: The Best SLR and Mirrorless Cameras

If you're shopping for a starter camera with swappable lenses , you must make a choice: Embrace the latest tech and get a mirrorless camera with an electronic viewfinder (EVF), or live with lesser autofocus acumen and opt for an SLR with an optical viewfinder (OVF). The market may help you make the decision, as only a few entry-level SLRs are still on sale.

Both types of cameras use changeable lenses and have image sensors that dwarf those of most pocket and bridge cameras. SLRs rely on an optical viewfinder and mirror to direct light to the eye, and a discrete phase-detection sensor to set autofocus.

Mirrorless cameras drop the optical finder in favor of an EVF. The image sensor handles autofocus operations here, resulting in better subject recognition and tracking than entry-level SLRs. For more details, read our buying guide covering the best mirrorless cameras and SLRs for beginners .

SLRs aren't the wonders they once were, but you can usually get started with one for less money than a mirrorless camera. Nikon doesn't have any entry-level models in production, and our most recent recommendation for beginners, the Canon EOS Rebel SL3 , is no longer available to buy new. Nikon has discounted its older, but excellent D7500 to around $700, and it's the SLR that I recommend most strongly if you're in search of an affordable camera with an optical viewfinder.

The usual suspects—Canon, Fujifilm, Nikon, OM System (the new name for Olympus), Panasonic, and Sony—all make good entry-level mirrorless cameras. There are a decent number of quality choices under $1,000 suitable for general photography. These affordable mirrorless cameras are quicker to focus than SLRs, support high-speed burst modes, and offer 4K video.

You should make sure that whatever system you choose offers the lenses you want, though most cover the basics. Micro Four Thirds, Fujifilm, and Sony cameras have the biggest selection of lenses. Canon and Nikon don't make as many APS-C lenses for their respective EOS R and Z mirrorless systems, but they cover the basics and are bolstered by third-party glass from Sigma, Tamron, and Viltrox.

For Serious Shutterbugs: The Best Premium Mirrorless and SLR Cameras

When you spend more than $1,000 for a camera, you don't necessarily see a big jump in image quality versus entry-level models. Camera makers like to streamline sensors across multiple models, as it allows them to develop technology that they can use broadly.

Your extra money typically gets you better build quality, smarter autofocus, faster memory card slots for longer burst shooting, and higher capture rates. All of these are important for enthusiasts interested in capturing fast action and outdoor photographers who want some level of weather protection.

Shutterbugs and enthusiasts have a few good choices in the space, including our excellent performers like the Canon EOS R7 and Fujifilm X-T5 . We also like the Sony a6700 and Panasonic Lumix G9 II ; the latter is the best Micro Four Thirds sensor camera I've used.

We tend to recommend EVF cameras more highly—on-sensor autofocus leads to more in-focus shots, and models with stabilized sensors do a good job reducing the number of blurry, shaky photos you take. Mirrorless cameras dominate the list of our favorite interchangeable-lens cameras .

If you prefer an optical viewfinder, we recommend getting a Nikon D7500 or full-frame D780 . If you own Canon or Pentax lenses, you'll have to shop used or consider a gray market import—a camera that is imported by a third party and doesn't come with a US warranty—if you want a premium SLR. Canon's latest EOS 90D and 6D Mark II , and the Pentax K-3 Mark III and K-3 Mark III Monochrome are no longer available new in the US.

A Bigger Sensor: The Best Full-Frame Cameras

Full-frame cameras, a type that uses an image sensor with the same dimensions as 35mm film (24 by 36mm), cost more than APS-C or Micro Four Thirds in general, but are still priced low enough for hobbyists to afford. The $1,149 Canon EOS RP is the most affordable and a good option for beginners who want to start with a full-frame sensor.

If you can spend a bit more, you can get a very capable alternative like the EOS R8 ($1,649) or Nikon Z5II ($1,849) for around $2,000 when adding the cost of a lens. The R8 focuses quickly and supports 40fps capture, but doesn't have a stabilized sensor or dual memory card slots, upmarket features that Nikon includes in the Z5II. Fans of small cameras can look to Sony, as its a7C II is one of the lightest full-frame cameras you can get, and it also has a stabilized image sensor.

Professional bodies start around $2,500 and can range up to $6,000, but are more appropriate for working photographers who make their living with wedding, event, and sports photography. Cameras with Stacked CMOS sensors like the Canon EOS R5 Mark II , Nikon Z 8 , and Sony a7R VI are good tools for anyone who relies on photography to put food on the table, and will please hobbyists who enjoy using top-end gear.

For more specialized recommendations and models, as well as an overview of what each full-frame camera system offers, be sure to read our full-frame camera buying guide.

Bigger Than Full-Frame: The Best Medium Format Cameras

Medium format digital cameras used to be the tools of the most successful (or well-funded) photographers. You can still drop $50,000 on a  Phase One IQ4 150MP  if you want (though you'll need to seek out a specialized dealer to buy one these days), but for most of us, the prospect is rather silly. Medium format doesn't have to cost that much.

Fujifilm's GFX line has dropped the price of entry to medium format to its lowest point ever: $5,700 for the 100MP GFX100S II or $8,500 for its premium GFX100 II . That's still quite a bit of money, but loads less than in years past, especially when you consider both of these cameras have a stabilized image sensor.

Fujifilm isn't the only player in town. Hasselblad offers a mirrorless medium format system, one that includes the analog throwback 907X and modern X2D II 100C , both with 100MP sensors.

What Is the Best Camera for a Beginner Photographer?

Smartphones and basic point-and-shoots are designed for automatic operation. If you want to take up photography as a hobby, or aspire to be a photojournalist or wedding pro, get a camera that gives you room to grow and learn the craft.

I recommend getting a good mirrorless camera to start. Our favorites include the Canon EOS R10 , Fujifilm X-T30 III , Nikon Z50II, and Sony a6400 . All offer manual exposure for advanced users, but also include fully automatic modes. If you're getting started, they give you room to grow as a creator. If you're thinking about starting with a full-frame model—the type of camera most pros use—the Canon EOS RP, EOS R8, or Nikon Z5II are good choices.

When you are shopping for a starter camera, ask yourself some questions about what you want. Take a look at the size, as a camera isn't any good if you're not going to carry and use it. But also think about connectivity—you probably want to easily copy images to your smartphone—and price. Ease of use isn't a huge hurdle these days—everything has an auto mode—but models with guided interfaces let you take some measure of control over how your photos turn out without having to know too much technical jargon.

Kicking It Old School: What Is the Best Film Camera to Buy?

You don't have to go digital. Film is still an option, and  instant cameras  are extremely popular. Instant formats eliminate the hassle of getting film developed and make it easy to share physical images with friends and family immediately. An entry-level model costs around $90, and film packs generally cost around $7.50.

The Fujifilm Instax Mini 12 is our favorite basic model, and we love the Mini 99's upgraded features. The Fuji SQ1 is there if you prefer square prints, or you could go for the Polaroid Flip if you want to recapture the look of Polaroid 600 cameras from the 80s and 90s. And if you want a really big instant print, the Fujifilm Instax Wide 400 and Lomography Lomo'Instant Wide Glass use Fuji's largest format, Instax Wide.

You can also buy a new 35mm or medium format camera. You don't have as many options for getting film developed as in the past—if you're in a major city, it's easy to find a lab, but you otherwise may have to resort to mail order. You can find old film SLRs and compacts in thrift shops and at tag sales, though be aware that there's always a chance you'll need to get an old camera serviced. To get one that works, check the used departments at your local camera store (if you have one), the marketplace of your favorite online camera forum, or a big online shop (such as Adorama , B&H Photo , and KEH ) with a good return policy for used gear.

If you want to buy something new, we like the Kodak Ektar H35 or H35N for their ease of use and economical half-frame format—they get 72 shots per roll, not 36. That's also true of the $500 Pentax 17 , but it features more premium construction and a better lens than the Ektar compacts. And for something really different, check out offerings from Lomography; its catalog includes the wide-angle  Lomo'Apparat , medium format  LC-A 120 , and panoramic  Sprocket Rocket , to name just a few.

Which Camera Is Best for Travel Photography?

Not surprisingly, we find point-and-shoot cameras to be just about  perfect for globetrotters . They're small enough to toss in your pack or pocket, and you won't have to fiddle with lens changes. And if you opt for a premium Type 1 sensor model, you can shoot in a range of lighting conditions. But you might want a different kind of camera to take with you on your journeys.

You may want to consider a tough, waterproof camera for travel. For the rough-and-tumble crowd, I recommend the OM TG-7 due to its bright lens, super-close macro focus, and tough build. Its video features are lacking, though, so get the DJI Osmo Action 5 Pro for moving pictures.

For more leisurely vacations, reach for a premium compact like the Sony RX100 VII model for a comfortable design and image quality that's a tad better than your smartphone. These are especially good choices if you're trying to minimize phone screen time during a trip. The Fuji X100VI, any version of the Ricoh GR, or a Leica Q series are there if you want the best pictures from a small camera and have a healthy budget to feed your photography habit.

If you don't mind carrying something larger, a good mirrorless camera and a couple of lenses easily fit into a small bag and capture images and videos worthy of sharing with friends and family back home. The Sony ZV-E10 is a good, affordable option; alternatives like the Nikon Z fc and Fujifiilm X-M5 are a bit more stylish. If you demand full-frame, the Sony a7C II and Nikon Z f are good picks; the a7C II is very small, while the Z f just oozes style.

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