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OM System OM-5 II sample photo gallery: See what this super compact camera system is capable of

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OM System OM-5 Mark II, with the Olympus M.Zuiko 12-45mm f/4 Pro lens, outdoors in woodland.

Credit: James Artaius

In the course of testing the new OM System OM-5 Mark II , I took thousands of photographs. Admittedly they're not all keepers – you burn through hundreds of shots while using features like Pro Capture, for example, which records the 15 frames before you fully depress the shutter button so that never miss a moment.

Then there's all the photos of test charts and pictures of my DVD shelves as I fiddled with different settings and features… but beyond all that, I took some halfway reasonable photos in the course of producing my OM System OM-5 Mark II review . And I think they're useful to share with you, to give an idea of what the camera can do.

In case you missed it, this camera packs a 20.4MP Micro Four Thirds image sensor – though it's capable of pixel shift shooting for up to 80MP photographs. It packs 10fps burst shooting with full AF (or 30fps with AF locked), and it boasts amazing computational photography tricks (accessible via the CP button) such as Live ND filters – which give you a software-driven 4-stop ND without the need for a physical filter!

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Often overlooked, however, are the 14 Art Filters. Admittedly some of these are a bit tacky, but others are as good as anything on a Fujifilm camera (heck, one of them is the camera filter that Taylor Swift uses ). I've used them liberally here, so you can judge for yourself… here's a real-world look at how the OM System OM-5 Mark II shoots.

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 30mm f/3.5 Macro (1/125 sec, f/3.5, ISO200) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/800 sec, f/2.8, ISO500, custom mono) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/500 sec, f/8, ISO200, Instant Film filter) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 75-300mm f/4.8-6.7 (1/80 sec, f/6.2, ISO200) | Credit: James Artaius

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OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/200 sec, f/5, ISO200, Instant Film filter) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 30mm f/3.5 Macro (1/125 sec, f/3.5, ISO200) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/320 sec, f/6.3, ISO200, Vintage I filter) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/320 sec, f/6.3, ISO200, Instant Film filter) | Credit: James Artaius

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OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/200 sec, f/5, ISO200, Vintage I filter) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/60 sec, f/2.8, ISO200, custom mono) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/20 sec, f/8, ISO200) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/400 sec, f/7.1, ISO200, Instant Film filter) | Credit: James Artaius

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OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/100 sec, f/2.8, ISO200) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/200 sec, f/5, ISO200, Vintage III filter) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/250 sec, f/8, ISO200) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/400 sec, f/7.1, ISO200, custom mono) | Credit: James Artaius

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OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/125 sec, f/4, ISO200, Vintage III filter) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 75-300mm f/4.8-6.7 (1/2000 sec, f/5.6, ISO1250) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/250 sec, f/5.6, ISO200, Vintage III filter) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/1000 sec, f/2.8, ISO500) | Credit: James Artaius

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OM System OM-5 Mark II sample image

OM System OM-5 Mark II + Helios 44-2 (1/500 sec, f/2, ISO200, Pop Art filter) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 75-300mm f/4.8-6.7 (1/200 sec, f/6.7, ISO1000) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 30mm f/3.5 Macro (1/80 sec, f/3.5, ISO200) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 30mm f/3.5 Macro (1/320 sec, f/3.5, ISO200) | Credit: James Artaius

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OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 30mm f/3.5 Macro (1/250 sec, f/3.5, ISO200) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/1000 sec, f/2.8, ISO500) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 75-300mm f/4.8-6.7 (1/80 sec, f/6.2, ISO200) | Credit: James Artaius

OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 30mm f/3.5 Macro (1/125 sec, f/3.5, ISO200) | Credit: James Artaius

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OM System OM-5 Mark II sample image

OM System OM-5 Mark II + M.Zuiko 12-40mm f/2.8 Pro (1/400 sec, f/7.1, ISO200, Vintage III filter) | Credit: James Artaius

High Res Shot (80MP) mode

And in case you're wondering about the camera's High Res Shot mode, here's an example of how it works.

Obviously when you take a regular photograph with the OM-5 Mark II, it captures it in the standard 20.4MP resolution:

A miniature model of Captain America, photographed with the OM System OM-5 Mark II's regular and High Res Shot modes

20.4MP standard resolution (5,184 x 3,888) | Credit: James Artaius

However, when you enable High Res Shot mode, the camera takes multiple frames and uses the image stabilization system to shift the sensor between shots – then stitches them together to create a 50MP or 80MP image:

A miniature model of Captain America, photographed with the OM System OM-5 Mark II's regular and High Res Shot modes

80MP High Res Shot (10,368 x 7,776) | Credit: James Artaius

To save you pixel peeping, here are a 100% crops of both images so you can see exactly what the difference in resolution looks like:

A miniature model of Captain America, photographed with the OM System OM-5 Mark II's regular and High Res Shot modes

100% at standard 20.4MP resolution | Credit: James Artaius

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A miniature model of Captain America, photographed with the OM System OM-5 Mark II's regular and High Res Shot modes

100% at 80MP High Res Shot | Credit: James Artaius

This obviously gives you far more firepower than the camera's native 20.4MP resolution. However, there is a catch; because multiple frames are being taken while the sensor is being shifted, any motion in your frame will be rendered as movement artifacts.

Thus, High Res Shot isn't suitable for subjects that are moving. Still life, architecture, cityscapes and so on are ideal, but even natural landscapes can create problems – if there is movement in leaves, branches or water, you can see some strange effects in the final photo.

You might also like…

Take a look at the best OM System / Olympus cameras and the best OM System / Olympus lenses . And don't forget that, as an open standard, any of the best Micro Four Thirds cameras can use any of the best Micro Four Thirds lenses – even if they are made by different manufacturers.

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