Nearly a decade in the making, The Grief of Almost , featuring four large-scale paintings and one monumental sculpture by artist Enrique Martínez Celaya, explores our drive toward self-understanding and desire to live a meaningful life.
Upcoming
From the Field: Tracing Foodways through Art explores the idea of food as not only nourishment but also an expression of our lived and shared experiences.
[Un]Mapping examines the legacies of mapmaking and invites viewers to think about alternatives for visualizing our relationships to place.
Drawn from the Hood Museum's permanent collection, Immersive Worlds: Real and Imagined features artworks created after 1950 using a range of artistic processes, including assemblage, printmaking, painting, and ceramic and wood sculpture.
Cara Romero: Panûpünüwügai (Living Light) explores the narrative artistic practice of Chemehuevi photographer Cara Romero.