Submissions from 2024 2024
To Touch Time: U.S. Black Feminist Modernist Sculpture in the 1970s and 1980s , Sarah Louise Cowan
Submissions from 2023 2023
“On the Dance Floor: Copresence and the Problem of Artistic Influence,” in Tales of Brave Ulysses: Al Loving, Howardena Pindell, Alan Shields, Richard Van Buren , Sarah Louise Cowan
Submissions from 2022 2022
Howardena Pindell: Reclaiming Abstraction , Sarah Louise Cowan
“Fishing for Meaning: Immersive Reading and the Codex Manesse Frontispieces” in Courtly Pastimes , D. Lyle DeChant
Submissions from 2021 2021
"The Case of Arbogast: Image and Identity in a Swiss Gothic Parish Church" in Towards an Art History of the Parish Church, 1200–1399 , D. Lyle DeChant
The Poetry of Play: Hybridity in the "Amusements of the Four Seasons of Kyoto" , Pauline Ayumi Ota
The Pervasive Nature of Colonialism and Our Disciplinary Attachment to It , Natalia Vargas Márquez
Submissions from 2020 2020
Texturing Abstraction: Howardena Pindell’s Cut and Sewn Paintings , Sarah Louise Cowan
"Visual Arts Education in Chile: Construction and Development of a State-led Artistic System (1849-1959)" in Academies and Schools of Art in Latin America , Natalia Vargas Márquez and Pablo Berríos González
Submissions from 2019 2019
Charged Spaces: Navigating Complex Exhibition Content for University Audiences , Craig Hadley and Alexandra Chamberlain
Submissions from 2018 2018
People + property : the House Life Project , Meredith Brickell, Twinkle Van Winkle, and Laura Holzman
