Submissions from 2024 2024
Sarah Ruhl’s Eurydice, Anaïs Mitchell’s Hadestown, and the Postmodern Underworld , Deborah R. Geis
Writing Alone, Writing Together: Lessons from Self-Styled Retreats , Samuel Autman
Requiem for an Unwritten Memoir: How Grace Bumbry changed opera , Samuel Autman
Finding Meaning in Wine: A US Blend , Michael Sinowitz
Submissions from 2023 2023
“The Cicadas Are Really Loud” , Eugene Gloria
“Scales (Shahad Ameen, 2019) – Middle Eastern Myth” in The Deep: A Companion , Manal Shalaby
“Women” , Victoria Wiet, Kimberly Cox, Shannon Draucker, and Doreen Thierauf
"Excerpt from Before We Became a New People" Daughters of Latin America : An International Anthology of Writing by Latine Women , Ivelisse Rodriguez
"Excerpt from Before We Became a New People" in A Night of Screams : Latino Horror Stories , Ivelisse Rodriguez
"Risk and refuge: The role of the commonplace in navigating crisis" in Recollections from an uncommon time: 4C20 documentarian tales , Lynn Ishikawa
Submissions from 2022 2022
An Unorthodox Trip , Samuel Autman
The Train Rolls On , Samuel Autman
“Black Body Snatchers” in It Came From the Closet: Queer Reflections on Horror , Samuel Autman
"Anthony Ashley Cooper, third Earl of Shaftesbury" in the Digital Encyclopedia of British Sociability in the Long Eighteenth Century , David Alvarez and Patrick Müller
"My Cousin" , Wayne Glausser
"Orange Land" and "At the PX" , Eugene Gloria
Rizal upon Hearing David Bowie's "The Rise and Fall of Ziggy Stardust and the Spiders from Mars" , Eugene Gloria
Angelheaded (Neo-)Hipsters: Two Cultural Re-productions of Ginsberg's 'Howl' , Deborah R. Geis
Red Hens and Raymundo , Eugene Gloria
Mutopia: Science Fiction and Fantastic Knowledge , Istvan Csicsery-Ronay
Say Their Names: Drama of the Black Lives Matter Era , Deborah R. Geis
Chief Justice Roberts’ court questions the religious neutrality of secular schools , Wayne Glausser
Opinion: Just like that, my student-loan debt disappeared , Samuel A. Autman
World Literature at the End of the World: The Case of Aaron Zeitlin , Yeshua G.B. Tolle
Submissions from 2021 2021
Immortal voices , Nicole Lobdell
Our Eyes Were Watching Marcia , Samuel A. Autman
An Apology for My Superstitions , Wayne Glausser
The Seven Powers of Laurie Lynn Drummond’s ‘Alive’ , Samuel Autman
Entheoceutical Entrepreneurs and the Resistance to Old-School Psychedelia , Wayne Glausser
Psychedelic Drugs and Atheism: Debunking the Myths , Wayne Glausser
Of Saints, Miracles, and Embarrassment in an American Plague Year , Wayne Glausser
“Jose Rizal Walks a Mile to “In-A-Gadda-Da-Vida” and “Galileo” , Eugene Gloria
My Sister's Cult , Wayne Glausser
"Beat Performance Poetry : Ginsberg, Kaufman, and Waldman" in The Beats: A Teaching Companion , Deborah R. Geis
"Wonder Boys" in Sweeter Voices Still: An LGBTQ Anthology from Middle America , Samuel Autman
“Viral Days,” “Time as an Asterisk,” and “Dear Parentheses" , Eugene Gloria
“Rizal Walks Along the Foxgloves” , Eugene Gloria
Submissions from 2020 2020
"Mother's Tongue" in The Best of Brevity: Twenty Groundbreaking Years of Flash Nonfiction , Samuel Autman
Response: State-of-the-Field , Deborah R. Geis
Beauvoir in Time , Meryl Altman
Upstairs, Pierre, the Naked Sailor: On Why We List , Eugene Gloria
Never Dead: Mary Shelley’s Frankenstein , Nicole Lobdell
"'Just Do It': Gary Gilmore, Nancy Reagan, and Other Cultural Entanglements of the Nike Slogan" , Wayne Glausser
"Elmore Leonard and the Romantic Comedy, or 'Get Some Love into It'” in Critical Essays on Elmore Leonard: If it Sounds Like Writing , Michael Leigh Sinowitz
Submissions from 2019 2019
Read My Plate: The Literature of Food , Deborah R. Geis
Submissions from 2018 2018
Submissions from 2015 2015
An Evening with Emily Dickinson , Meryl Altman
Submissions from 2014 2014
Patrick O'Brian's Bodies at Sea: Sex, Drugs and the Physical Form in the Aubrey-Maturin Novels , Michael Leigh Sinowitz
Submissions from 2010 2010
The Grand Rectification: Review of The Second Sex by Simone de Beauvoir, translated by Constance Borde and Sheila Malovany-Chevallier. , Meryl Altman
Submissions from 2009 2009
παρθενοι to Watch Out For? Looking at Female Couples in Vase-Painting and Lyric , Meryl Altman
Submissions from 2008 2008
Seeking a Usable Past: Review of Feeling Backward: Loss and the Politics of Queer History by Heather Love. , Meryl Altman
Submissions from 2007 2007
Graham Greene's and Carol Reed's The Third Man: When a Cowboy Comes to Vienna , Michael Sinowitz
"The Benefits of Watching the Circus Animals Desert: Myth, Yeats and Patriarchy in Angela Carter’s Nights at the Circus" in Metafiction and Metahistory in Contemporary Women’s Writing , Michael Leigh Sinowitz
Submissions from 2006 2006
Sappho's Lost Sessions , Meryl Altman
Why I Read: Review of Mother Tongues: Sexuality, Trials, Motherhood, Translation by Barbara Johnson , Meryl Altman
Submissions from 2004 2004
Less Cool, More Light: Review of Cool Men and the Second Sex by Susan Fraiman. , Meryl Altman
Submissions from 2002 2002
Submissions from 2001 2001
The Age of Anxiety: Review of Mother Millett by Kate Millett. , Meryl Altman
Sexual Politics: Review of My Dangerous Desires: A Queer Girl Dreaming Her Way Home by Amber L. Hollibaugh. , Meryl Altman
Submissions from 2000 2000
Reality Check: Review of What is a Woman? And Other Essays by Toril Moi. , Meryl Altman
Submissions from 1999 1999
The Complexity of Complicity: Review of Thinking Fascism: Sapphic Modernism and Fascist Modernity by Erin G. Carlston. , Meryl Altman
The Western as Postmodern Satiric History: Thomas Berger's" Little Big Man" , Michael Leigh Sinowitz
Submissions from 1998 1998
Critical Success: Review of Dwelling in Possibility: Women Poets and Critics on Poetry edited by Yopie Prins and Maaera Shreiber. , Meryl Altman
More Nice Jewish Girls: Review of Beyond the Pale by Elana Dykewomon and The Escape Artist by Judith Katz. , Meryl Altman
Submissions from 1997 1997
Submissions from 1994 1994
Submissions from 1992 1992
Book Review Of: Making Sex: Body and Gender From the Greeks to Freud by Thomas Laqueur. , Meryl Altman and Keith Nightenhelser
Submissions from 1991 1991
The Rage for Disorder: Review of Pink Guitar: Writing as Feminist Practice by Rachel Blau DuPlessis. , Meryl Altman
Song of the Skirt , Meryl Altman
