The Story of Zenobia, Tapestry by Tapestry

The twelve tapestries in the series depicting Queen Zenobia of Palmyra at Segovia Cathedral tell the story of the woman who defied the Roman Empire

Marriage of Zenobia and Odenathus (Around 1722) by Geraert Peemans The Cathedral of Segovia

Marriage of Zenobia and Odaenathus

This tapestry depicts the wedding of Odaenathus with his second wife, queen Zenobia. It shows the presentation of a white floral crown to Zenobia and the gesture of the couple joining hands. The religious ceremony takes place in a temple.

Wedding Banquet of Zenobia and Odaenathus (1667) by Geraert Peemans The Cathedral of Segovia

Wedding banquet of Zenobia and Odaenathus

This tapestry follows the one depicting Zenobia’s marriage. The scene is frozen at the moment when Odaenathus raises a cup with his right hand while taking Zenobia’s hand with his left, to which she responds with a blush. The tapestry recreates a natural setting at dusk.

Zenobia leads her army (1667) by Geraert Peemans The Cathedral of Segovia

Zenobia leads her army

This tapestry depicts the moment when Zenobia and Odaenathus set out for battle, riding two horses and accompanied by soldiers. As in the other tapestries, the queen stands out due to her proportion. The couple appears in the lower right corner, seen from behind.

Zenobia hunting (1667) by Geraert Peemans The Cathedral of Segovia

Zenobia hunting      




Zenobia, accompanied by three servants and scouts, goes out to hunt deer, bears, and even lions. In this tapestry, Zenobia’s grandeur is emphasized, as she is dressed in jeweled trimmings. The scene serves as an allegory of hunting as a sport and pastime for sovereigns.

Aurelian orders the killing of the dogs (Around 1722) by Geraert Peemans The Cathedral of Segovia

Aurelian orders the dogs killed       

This tapestry depicts the victory of Aurelian’s troops in the city of Tiana, Cappadocia. The triumph is immortalized at the moment when Zenobia, in a posture of submission, hands the keys of the city to the emperor, who is mounted on a horse in front of the entrance.

Aureliano wounded (1667) by Geraert Peemans The Cathedral of Segovia

Wounded Aurelian      

Through an exchange of letters, Aurelian asks Zenobia and her army to withdraw, while Zenobia cites Cleopatra and her example of not owing her life to a tyrant, reflecting the prelude to the final battle of Palmyra. This tapestry embodies the struggle between the two.

Zenobia taken prisoner (1667) by Geraert Peemans The Cathedral of Segovia

Zenobia taken prisoner

Zenobia and her ministers appear before the emperor’s tribunal following the defeat of Palmyra. The queen had fled south to Iraq but was captured. In the tapestry, she is shown standing upright before Aurelian, dressed in her royal robes rather than kneeling.

Zenobia participates in Aurelian's triumph (19th century) by Geraert Peemans The Cathedral of Segovia

Zenobia participates in Aurelian’s triumph

Zenobia, chained, is led to Rome with her two young children, followed by a retinue of Roman soldiers carrying trophies and white horses. Aurelian rides, on the left, in a triumphal chariot, overseen by a winged Fame blowing long trumpets.

Aurelian on his throne (1667) by Geraert Peemans The Cathedral of Segovia

Aurelian on his throne  

The anteport matches the last tapestry, as together they depict the same scene. This tapestry, used to cover the doors, shows Aurelian on his throne, surrounded by a border full of fruits.

Credits: Story

Promoted by:  Chapter of Segovia Cathedral
Direction and texts:  Adolfo Rubio Pascual-Muerte
Images:  Segovia Cathedral

Credits: All media
The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content.

Interested in Visual arts?

Get updates with your personalized Culture Weekly

You are all set!

Your first Culture Weekly will arrive this week.

Translate with Google
Google apps
Design a Mobile Site
View Site in Mobile | Classic
Share by: