by: Bee Delores
Last Updated: November 27, 2024
6 min read
6 min read
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Corsets have long been a staple of period dramas, lending authenticity to historical narratives and showcasing the elegance of bygone eras.
However, for the actors wearing them, these garments often spell discomfort, pain, and even long-lasting physical effects. Emma Stone’s experience wearing a corset for her role in The Favourite exemplifies the harsh realities of these costumes.
Stone’s candid revelations have sparked discussions about the physical toll of corsets, highlighting the lengths to which actors go to bring authenticity to their roles.
Her story is just one among many, as stars like Keira Knightley, Margot Robbie, and Simone Ashley have also spoken about the challenges of wearing corsets for extended periods. Let’s take a deeper look!
When Emma Stone signed on to play Abigail Hill in The Favourite , she may not have anticipated just how grueling the wardrobe would be.
The film, set in 18th-century England, demanded historical accuracy, which meant the actresses were required to wear tightly laced corsets for much of the shoot.
Stone revealed that the experience left a lasting impression on her body—quite literally. “After about a month, my organs shifted because they have to,” she explained during an interview.
The constriction forced her body to adapt to the limited space, making even basic activities like breathing and sitting feel impossible.
“I couldn’t breathe for a month,” Stone added. The discomfort was so intense that she couldn’t wait to shed the corset at the end of each day.
Despite the challenges, Stone approached the experience with humor, later joking, “If anyone’s thinking of wearing a corset, don’t.”
Wearing a corset wasn’t just a physical challenge for Stone; it also influenced her performance.
The tightness of the garment restricted her movements and breathing, which unintentionally heightened her portrayal of Abigail’s desperation and ambition. In one sense, the physical discomfort added depth to her character .
However, the emotional toll of enduring such discomfort was undeniable. Stone noted how restrictive costumes can make actors feel trapped, both physically and mentally.
The corset became a daily reminder of the sacrifices women made for beauty and societal expectations in the 18th century—a reality that Stone had to internalize for her role.
Emma Stone’s experience isn’t unique. Many actors have spoken out about the physical demands of wearing corsets in period dramas.
Keira Knightley , no stranger to corset-heavy roles in films like Pirates of the Caribbean , Anna Karenina , and The Duchess , echoed Stone’s sentiments.
She described the experience as “positively awful” and revealed how the tight garment made emotional scenes even harder.
“You can’t calm down,” Knightley shared. “You can’t literally draw a breath to try and center yourself again.” She added that it’s no wonder women in those eras were often fainting —they simply couldn’t get enough air.
Margot Robbie also faced challenges while wearing a corset in Mary Queen of Scots .
The garment’s tightness made her feel physically trapped, but Robbie found that this sensation mirrored her character’s emotional state. “The shortness of breath really helped for scenes where my character was frustrated,” she explained.
For Bridgerton newcomer Simone Ashley , corsets were a literal pain. Ashley, who plays Kate Sharma, revealed that she tore her shoulder while wearing one.
She also admitted to feeling sick after eating a large meal while wearing the restrictive garment. “You just don’t eat,” she said, summing up the stark reality of working in corsets.
Corsets, designed to create the ideal hourglass figure, compress the body in ways that are unnatural and often harmful.
Even modern replicas, tailored for actors, mimic the tightness of historical designs. This can lead to temporary issues like organ shifting or long-term complications such as back pain and breathing difficulties.
Emma Stone’s description of her organs shifting highlights just how drastic these changes can be. While these effects are usually temporary, the experience is a stark reminder of the physical toll period dramas demand from their stars.
Actors’ stories of corset-related challenges shed light on a broader industry issue.
Actor | Project | Corset Challenges |
---|---|---|
Emma Stone
|
The Favourite | Organs temporarily shifted; couldn’t breathe for weeks |
Natalie Dormer
|
The Tudors, Picnic at Hanging Rock | Hesitant to wear more corsets; noted unpleasant odors post-removal |
Keira Knightley
|
The Duchess, Anna Karenina | Struggled with breath control; described corsets as “positively awful” |
Margot Robbie
|
Mary Queen of Scots | Found the restriction ironic but helpful for her performance |
Simone Ashley
|
Bridgerton | Tore her shoulder; struggled with eating and mobility |
Golda Rosheuvel
|
Bridgerton | Trains regularly to endure wearing double corsets |
Rachel Brosnahan
|
The Marvelous Mrs. Maisel | Suffered rib fusion and breathing issues from corset wear |
Lily James
|
Cinderella | Couldn’t eat properly; wore a corset that altered her waist temporarily |
Emma Stone’s story offers a glimpse into the lengths actors go to bring history to life.
For her, wearing a corset was both a challenge and a learning experience . While the garment added authenticity to her portrayal, it also reinforced the physical and emotional sacrifices required for period dramas.
Her humorous yet poignant advice—“Don’t wear a corset unless you absolutely have to”—resonates with many of her peers.
As Hollywood continues to evolve, there’s hope that costume designers will prioritize comfort without sacrificing historical accuracy.
Corsets may look glamorous on screen, but behind the scenes, they represent a significant challenge for actors like Emma Stone.
Her story not only underscores the physical toll of these garments but also invites audiences to appreciate the sacrifices that bring historical dramas to life.
Lover of hiking, biking, horror movies, cats and camping. Writer at Wide Open Country, Holler and Nashville Gab.
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