by: Bee Delores
Last Updated: December 16, 2024
7 min read
7 min read
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Sony Pictures’ latest superhero movie, Kraven the Hunter , aimed to captivate audiences with the origin story of one of Spider-Man’s most iconic villains.
Starring Aaron Taylor-Johnson as the titular antihero, the film had high hopes of carving out a strong foothold in the Spider-Man Universe (SSU). However, the opening weekend results and critical reception paint a different picture.
With an underwhelming debut and scathing reviews, Kraven the Hunter faces challenges that might signal trouble for Sony’s broader plans for its Spider-Man spin-offs.
Let’s look at the reasons behind the movie’s rocky reception and what it means for the future of Sony’s Spider-Man Universe.
Kraven the Hunter opened in 3,211 theaters across the United States but struggled to attract a large audience.
The film earned just $4.7 million on its first day, including Thursday previews, and is projected to end its opening weekend with a modest $13-$15 million.
These figures make it one of the weakest openings for a Spider-Man-related film in Sony’s history.
For context, the film’s $110 million production budget only adds to the disappointment, as breaking even at the box office now seems unlikely.
By comparison, Sony’s earlier SSU films like Venom (2018) and its sequel Venom: Let There Be Carnage (2021) enjoyed blockbuster-level openings, grossing $80 million and $90 million respectively in their first weekends.
Kraven the Hunter falls far short of those numbers, raising concerns about Sony’s ability to sustain its Spider-Man spin-off franchise.
The critical response to Kraven the Hunter has been overwhelmingly negative. The film holds a 15% score on Rotten Tomatoes, placing it among the lowest-rated Marvel-related movies.
Reviewers criticized the movie for its weak plot, derivative storytelling, and substandard visual effects.
David Rooney from The Hollywood Reporter described the film as lacking emotional depth and focus, while Variety ’s Owen Gleiberman called it a missed opportunity to bring a nuanced antihero to life.
Even audience reactions have been lukewarm, as reflected in the movie’s CinemaScore rating of “C.” This is worse than the “C+” ratings received by previous SSU films like Morbius and Madame Web .
One of the main criticisms of Sony’s Spider-Man Universe is the absence of Spider-Man himself.
As the central figure connecting all these characters, Spider-Man’s exclusion leaves movies like Kraven the Hunter feeling disconnected and purposeless.
The lack of a clear link to the larger Marvel Cinematic Universe (MCU) further diminishes the appeal of these films for many fans.
While Sony’s SSU started strong with the Venom franchise, subsequent projects have failed to replicate that success.
Morbius (2022) became a running joke on social media due to its poor reception, and Madame Web has struggled to build anticipation despite its big-name cast.
The question now is whether audiences are losing interest in these spin-offs or if the formula itself is flawed. Without compelling characters or strong narratives, the SSU’s future seems uncertain.
Kraven the Hunter entered theaters amidst a fiercely competitive box office landscape, facing challenges from several well-established franchises.
Disney’s Moana 2 continues to dominate, earning an additional $6 million on Friday alone and securing the No. 1 spot for the third consecutive weekend.
With a record-breaking Thanksgiving debut and a total domestic gross surpassing $320 million, the musical sequel is a major hit, leaving little room for newcomers like Kraven to make an impact.
Universal’s Wicked , another heavy hitter, remains in second place after raking in $5.8 million on Friday. The adaptation of the beloved Broadway musical is set to cross $350 million domestically, further cementing its position as a top box office draw this year.
Paramount’s Gladiator II is also holding strong, adding $2.1 million on Friday and nearing a $145 million domestic total.
Interestingly, while anime films like Demon Slayer: Mugen Train and Dragon Ball Super: Super Hero have drawn massive North American crowds in recent years, Kraven has failed to tap into a similar level of fanbase enthusiasm.
With such strong competition and underwhelming audience reception, Kraven the Hunter struggled to secure its place among this year’s box office successes.
Critics and viewers alike pointed out the film’s lackluster script.
Many felt that the story failed to explore Kraven’s character in a meaningful way, making it hard for audiences to connect with the antihero.
Another major complaint was the film’s subpar CGI. For a superhero movie with a $110 million budget, audiences expect high-quality visuals.
Unfortunately, Kraven the Hunter fell short, with critics calling the effects “shockingly low-quality.”
Unlike the MCU, which has a clear identity and vision, Sony’s SSU feels disjointed.
Each film struggles to stand on its own while also lacking the interconnectedness that makes cinematic universes compelling. Kraven the Hunter is no exception, leaving audiences questioning its purpose.
Film | Release Year | Opening Weekend Gross | Rotten Tomatoes Score | CinemaScore |
---|---|---|---|---|
Venom
|
2018 | $80 million | 30% | B+ |
Venom: Let There Be Carnage
|
2021 | $90 million | 57% | B |
Morbius
|
2022 | $39 million | 16% | C+ |
Madame Web
|
2024 | $6 million (est.) | TBD | TBD |
Kraven the Hunter
|
2024 | $13-$15 million (est.) | 15% | C |
The disappointing performance of Kraven the Hunter raises serious questions about the future of Sony’s SSU.
While the studio has upcoming projects like Madame Web and Venom 3 in the pipeline, the poor reception of recent films indicates that significant changes might be needed.
Some industry insiders believe Sony should focus on its main Spider-Man franchise, which continues to deliver critical acclaim and box-office success.
Alternatively, the studio might need to reimagine its approach to these spin-offs by integrating Spider-Man directly or collaborating with the MCU to boost credibility and audience interest.
Sony’s experiment with Spider-Man’s villains has yielded mixed results, and Kraven the Hunter represents a low point for the franchise. Whether the studio can learn from these setbacks and turn things around remains to be seen.
Lover of hiking, biking, horror movies, cats and camping. Writer at Wide Open Country, Holler and Nashville Gab.
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