by: Bee Delores
Last Updated: June 6, 2024
8 min read
8 min read
By continuing to use this website you agree to our terms and conditions . If you don't agree with our terms and conditions, you are not permitted to continue using this website.
Terri Clark , a country music mainstay, recently chatted with Taste of Country Nights about her upcoming album, “Terri Clark: Take Two,” and her experiences navigating the often-competitive world of country music in the 1990s .
The conversation highlighted a fascinating contrast between the landscape for female artists then and the more collaborative environment of today.
Clark revealed a bygone era where female artists sometimes felt like they were locked in a constant battle for airplay.
However, her experience working on “Take Two” – which features reimagined classics with artists like Kelly Clarkson, Ashley McBryde, and Lainey Wilson – showcases a shift towards a more supportive and collaborative spirit within the genre.
This evolution raises intriguing questions: How much has the industry changed for women? Is there still a sense of competition, or has it been replaced by a sense of community?
Let’s delve deeper into this conversation and explore the changing landscape for female artists in country music.
Clark’s new album features reimagined versions of her greatest hits from the 90s and early 2000s, featuring collaborations with some of today’s hottest country stars.
Artists like Kelly Clarkson, Lainey Wilson, and Cody Johnson join Clark on the project, breathing new life into classic tracks.
A day ago, Terri posted on social media showing her gratitude towards her team who made the “Take Two” possible.
While promoting the album, Clark offered candid insights about the challenges faced by female artists in the 90s,particularly regarding her relationship with fellow Canadian songstress, Shania Twain.
Both Clark and Twain emerged in 1995 with debut hits that positioned them as potential frontrunners of country music.
While Twain’s career skyrocketed with mega-hits like “The Man I Am,”Clark acknowledges moments of feeling overshadowed. However, she emphasizes that there’s no resentment.
“Shania and I were very different artists,”Clark explained. “We were on the same record label, but she achieved this incredible level of pop-star fame, kind of like a Taylor Swift of her time.”
Clark elaborated that she felt the sting of competition more acutely at Canadian award shows, simply because they were both vying for recognition in their home country.
She even shared an anecdote about a conversation with fellow Canadian artist Paul Brandt, who jokingly compared their situation to Garth Brooks dominating American country music.
Despite the competitive nature of the industry at the time, Clark clarifies that she never felt animosity towards Twain.
“Honestly, I think Shania’s success probably helped pave the way for me in some ways,”
she said.
Clark focused on her own artistry and built a strong touring career, opening for established acts and honing her craft.
The interview also highlights a welcome shift in the dynamic between female country artists today. Clark acknowledges a stronger sense of camaraderie compared to her experience in the 90s.
She attributes this partially to the limited radio airplay available for female artists back then, forcing them to compete for a smaller slice of the pie.
Terri Clark’s “Terri Clark: Take Two” serves as a bridge between generations of country music fans. While reflecting on the past, it also paves the way for a more collaborative and supportive future for women in the genre.
Aspect | Terri Clark’s Experience in 1990s | Today’s Country Music Scene |
---|---|---|
Album Focus
|
New Release: “Terri Clark: Take Two” (reimagined hits with contemporary artists) | |
Competition
|
Felt overshadowed by Shania Twain’s success | Stronger sense of camaraderie among female artists |
Reason for Competition
|
Limited radio airplay for female artists | More opportunities for women in country music |
Shania Twain Comparison
|
“Apples and Oranges,” different styles and success levels | |
Terri Clark’s Response to Competition
|
Focused on her own artistry and built a strong touring career | Feels Shania’s success may have helped pave the way for her |
Terri Clark’s new album, “Take Two,” is a delightful trip down memory lane for fans of 90s country music.
It features reimagined versions of her classic hits, but with a fresh twist – superstar collaborations from some of today’s hottest country artists!
Think Ashley McBryde belting out a duet, or the smooth stylings of Cody Johnson adding a whole new layer to a beloved song.
But the most unexpected – and frankly, hilarious – collaboration on the album comes from none other than Kelly Clarkson. Apparently, a case of mistaken identity led to a truly unforgettable exchange.
Clark, ever the gracious host, received a text that left her scratching her head. It was from a number she didn’t recognize, asking “Should we stop here before we go to the airport?”
Thinking it was a prank or a wrong number, Clark was hesitant to respond. Little did she know, it was actually Kelly Clarkson on the other end, accidentally texting her instead of Trisha Yearwood!
The confusion continued with Clarkson dropping hints about her identity, like sending photos of her bedding line (because, of course!).
Finally, Clark, piecing together the clues (and the fact that Reba McEntire’s stepson was once married to Clarkson!), figured out who she was texting.
The whole story is a testament to the power of a good old-fashioned text message mix-up, and it somehow led to a fantastic duet on Clark’s new album! They recorded “If I Were You,” a Top 10 hit from 1996, and it’s the cherry on top of this star-studded collection
So, get ready to hear some of your favorite Terri Clark classics with a whole new spin, and maybe even chuckle at the story behind the most unlikely collaboration of the year!
Terri Clark carved a unique path in the crowded world of 90s country music. Her songs weren’t afraid to be witty, sassy, and powerful, all delivered with a captivatingly rich voice. This list explores some of her greatest hits, showcasing her versatility and songwriting prowess.
We start with the iconic “Better Things To Do,” the debut single that announced Clark’s arrival.
This cleverly written break-up anthem, co-written by Clark herself, established her as a singer with a sharp wit and a powerful voice.
It perfectly captured the satisfaction of moving on from a bad relationship , all wrapped up in a catchy tune.
This wasn’t your typical weepy ballad; it was a declaration of independence and self-worth disguised as a foot-stomping anthem.
Clark’s ability to navigate heartbreak went beyond humor. Tracks like “Cure For The Common Heartache” showcased her talent for traditional country ballads.
This song wasn’t about anger, but a deep, melancholic ache delivered with enthralling harmonies and poignant lyrics that resonated with anyone who’s ever loved and lost.
On the other hand, “I Just Wanna Be Mad” offered a more modern take on the complexities of love. This song acknowledged the messy realities of long-term relationships, where you can be furious with someone and love them dearly at the same time.
It was a relatable anthem for anyone who’s ever argued with their significant other.
Beyond romance, Clark tackled relatable themes that transcended genres. “Girls Lie Too” became an anthem for female empowerment, delivered with a wink and a playful defiance.
The song celebrated women’s unapologetic honesty, challenging the stereotype of the “perfect country girl.” In contrast, the aspirational anthem “I Wanna Do It All” spoke to the universal desire to chase dreams and live life to the fullest.
This song resonated with anyone who’s ever felt stuck or limited, urging them to break free and chase their passions. Songs like “A Million Ways To Run” offered a glimpse into her personal struggles, showcasing her vulnerability and resilience.
This song, a departure from her usual sassy persona, resonated with anyone who’s ever faced challenges and emerged stronger.
Lover of hiking, biking, horror movies, cats and camping. Writer at Wide Open Country, Holler and Nashville Gab.
We appreciate you taking the time to share your feedback about this page with us.
Whether it's praise for something good, or ideas to improve something that
isn't quite right, we're excited to hear from you.
Lucky you! This thread is empty,
which means you've got dibs on the first comment.
Go for it!