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2007.10.27
テーマ： 作詞作曲してますか？(707)
カテゴリ： 音楽
Ch.12 Structure and Arrange
: It's important to understand
the concept of "Song structure", and
how to plan your remix's direction and form
1, Remix Song Structure
Creating the ebb and flow
the first rule of remix song structure ;
mix-in and mix-out( about 32 bars)
→a clean, uncluttered beat, with few to no pitch elements
a section commonly insert midway
→"breakdown" = a return to the track's basic beat
interspersed with light musical elements,
the beat may drop out altogether,
with layers of chords and arpeggios taking over
carrying the track's rhythmic pulse through
careful arrangement and production techniques
2, Creating a Basic Structure
3, Energy Ebb and Flow
to start setting up the track's energy : where it will peak or dip
→you should create a road map to follow
→to draw a diagram that shows target energy levels
in relation to bars elapsed
4, Differentiating Section
transitions : introducing into different sections that may be
obviously dramatic or smooth that they slip
by without notice
basic techniques ;
including standard drum fills,
the careful arrangement of loops,
creative special effects
it's fine to use the same fill or transition arrangement
more than onceto add or subtract background parts
1) Drum Fills
1, standard drum fills are most predominant
in drum-and-bass, hip-hop, and down tempo
2, the drum-marchine snare roll ( TR-808, TR909)
an electoronic snare sample, any drum sample
slowly faded in to create a crescendo effects
a filter effect : occasionally added for more dynamics
doubled for more climax for extra punch
( an 8th-note roll will become 16 notes on the last
few beats)
trills
pauses
2) Crescendo and Decrescendo
1, slowly adding in loops
2, quickly fade loops in
3, slowly fading loops out over several bars = decrescendo
3) Dramatic Pause
1, drop everything out but the most basic elements
2, make the mutes on a downbeat,
and let a little reverb or delay trail over from
the muted loops to create the impression of a quick
3, muting beats or actually inserting a bar of silence
immediately a peak
4, dropping drums and parts of loops out in bar's fourth beat
5, after a big fill or climatic build
6, insert a bar of silence immediately before the downbeat
4) Synth swells
any synthesizer sound that slowly crescendos over time
with thick or complex patches, holding down a single
note sounds better than a chord
; the patch's Attack parameter
→to determines how long the crescendo
; the Release parameter
→the note cuts off right when it's released,
on the downbeat
5) Backwards Reverb
1, backwards reverb effect : for creating an ambient swoop
record the reverb return ( like a snare hit running through
a reverb plug-in, with the wet/dry ratio set to 100)
to an audio track
then just reverse the waveform
then scoot the waveform to a spot just in front of
a downbeat
2, trim the effect's end : it cuts off right on the downbeat
3, sliding the effect earlier in time by an 8th or 16th note
creating a brief pause right beh?fore the downbeat
5, Putting It All Together
1, create a rough outline of the remix, with song markers
by muting and unmuting loops in the different section
2, map out ; remix's to flow
3, forming your rough arrangement→a final arrangement
adding the necessary transitions
4, it's time to add the final production touches that will
make your remix really stand out from the crowd.
from "The complete gude to REMIXING"
: It's important to understand
the concept of "Song structure", and
how to plan your remix's direction and form
1, Remix Song Structure
Creating the ebb and flow
the first rule of remix song structure ;
mix-in and mix-out( about 32 bars)
→a clean, uncluttered beat, with few to no pitch elements
a section commonly insert midway
→"breakdown" = a return to the track's basic beat
interspersed with light musical elements,
the beat may drop out altogether,
with layers of chords and arpeggios taking over
carrying the track's rhythmic pulse through
careful arrangement and production techniques
2, Creating a Basic Structure
3, Energy Ebb and Flow
to start setting up the track's energy : where it will peak or dip
→you should create a road map to follow
→to draw a diagram that shows target energy levels
in relation to bars elapsed
4, Differentiating Section
transitions : introducing into different sections that may be
obviously dramatic or smooth that they slip
by without notice
basic techniques ;
including standard drum fills,
the careful arrangement of loops,
creative special effects
it's fine to use the same fill or transition arrangement
more than onceto add or subtract background parts
1) Drum Fills
1, standard drum fills are most predominant
in drum-and-bass, hip-hop, and down tempo
2, the drum-marchine snare roll ( TR-808, TR909)
an electoronic snare sample, any drum sample
slowly faded in to create a crescendo effects
a filter effect : occasionally added for more dynamics
doubled for more climax for extra punch
( an 8th-note roll will become 16 notes on the last
few beats)
trills
pauses
2) Crescendo and Decrescendo
1, slowly adding in loops
2, quickly fade loops in
3, slowly fading loops out over several bars = decrescendo
3) Dramatic Pause
1, drop everything out but the most basic elements
2, make the mutes on a downbeat,
and let a little reverb or delay trail over from
the muted loops to create the impression of a quick
3, muting beats or actually inserting a bar of silence
immediately a peak
4, dropping drums and parts of loops out in bar's fourth beat
5, after a big fill or climatic build
6, insert a bar of silence immediately before the downbeat
4) Synth swells
any synthesizer sound that slowly crescendos over time
with thick or complex patches, holding down a single
note sounds better than a chord
; the patch's Attack parameter
→to determines how long the crescendo
; the Release parameter
→the note cuts off right when it's released,
on the downbeat
5) Backwards Reverb
1, backwards reverb effect : for creating an ambient swoop
record the reverb return ( like a snare hit running through
a reverb plug-in, with the wet/dry ratio set to 100)
to an audio track
then just reverse the waveform
then scoot the waveform to a spot just in front of
a downbeat
2, trim the effect's end : it cuts off right on the downbeat
3, sliding the effect earlier in time by an 8th or 16th note
creating a brief pause right beh?fore the downbeat
5, Putting It All Together
1, create a rough outline of the remix, with song markers
by muting and unmuting loops in the different section
2, map out ; remix's to flow
3, forming your rough arrangement→a final arrangement
adding the necessary transitions
4, it's time to add the final production touches that will
make your remix really stand out from the crowd.
from "The complete gude to REMIXING"
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