大学（院）情報
でも中には「MusicBusinessをアメリカで学びたい！けど情報が少なくて困っている」という同志がたくさんいるに違いありません。
そこで、少しずつアメリカでMusicBusinessを持っている各大学情報をご紹介していくことにしました。特にカリキュラムの比較を中心に行いたいと思います。
皆さんの大学探しの参考になればと思います。
大学リスト
USA : #1 University of Miami(私)
USA : Belmont University
USA : #2 Berklee College of Music(私)
USA : California State University
USA : DePaul University
USA : Elmhurst College
USA : Ferris State University
USA : Foothill College
USA : Hardin Simmons University
USA : Howard University
USA : Loyola University New Orleans
USA : Middle Tennessee State University
USA : #4 New York University（私立）
USA : Northeastern University
USA : Radford University
USA : Southern Illinois University
USA : The State University of New York College at Oneonta
USA : The State University of New York College at Potsdam
USA : University of Colorado at Boulder
USA : University of Massachusetts Lowell
USA : #5 University of Southern California(私立）
USA : University of Texas at Arlington
USA : University of Wisconsin Oshkosh
USA : #3 Western Illinois University(州)
USA : Winston-Salem State University
UNIVERSITY OF MIAMI, MUSIC SCHOOL, MUSIC BUSINESS & ENTERTAINMENT INDUSTRIES（私立）
＊ロケーション＊
フロリダ州マイアミ、CoralGables
＊Music School学部サイト＊
Music School
４年制、大学院レベル共に有り。
＊学科サイト＊
Music Business & Entertainment Industries
＊Music Businessカリキュラムの特色＊
University of MiamiのMBEIは、著作権法の解釈とパブリッシング会社及びレコードレーベルの運営に必要な実践的、専門的内容を提供します。卒業するまでに多種多様な契約書の原文を読みこなし、印税の実践的な計算法などを身につける他、ビジネスに必要なスキルをビジネス学部のクラス（大学院生はMBAのクラス）を履修することによって取得するので、卒業後、企業の即戦力となって活躍するために大きく貢献するカリキュラムです。
カリキュラム概要
･レコード会社の仕組みと運営法 ･アメリカ著作権法 ･印税徴収とその配布法 ･音楽パブリッシングの仕組みと働き ･法的見地から見る作曲家、音楽パブリッシャー、レコード会社、プロデューサー、各音楽団体の諸関係、･インターナショナル･レコードオペレーション（国際音楽産業の動向と傾向の分析、時事問題解釈）･各種ライセンス契約書の解釈と分析 ･会計学（MBA）･統計学（MBA）･マーケティング･マネージメント（MBA）･インターンシップ
＊カリキュラム抜粋＊
MMI 014. Music Industry Forum
A weekly forum for all Music Industry majors, both graduate and undergraduate, for the purpose of updating current
teaching material with the latest developments, presentations of guest speakers from the industry, and lectures
and reports from faculty on current employment opportunities.
MMI 173. Introduction to the Music Business and Entertainment Industries
An introductory course presenting a structural overview of the music business and entertainment industries and the
Music Industry Program. Historical development of music as a business and the development of the market place
for both music and musicians. Emphasis is placed on contemporary music business practices. Topics include
songwriting, publishing, musical instrument sales, artist management, arts management, professional
organizations, copyright law, record industry, unions and guilds, and career development.
MMI 273. Artist Management and the Live Entertainment Industry
Views of the live entertainment industry from the perspective of the performing artist, artist manager, talent agent,
attorney and concert promoter. Consideration is given to the interpersonal, business and contractual relationships
and their impact on the performing artist’s career. Strategies for career development are addressed and the ground
rules of publicity, public relations, and promotion explored and applied in practical situations through special
individual and team projects.
MMI 537. Record Industry Operations
Organization, background, legal, and technical development of the modern record company. Basic copyright law
pertaining to sound recordings, production and distribution of records and tape from the initial planning of an album
through its purchase.
MMI 538. Music Industry Agreements
A study of various music industry agreements and how they affect the artist and songwriter. Recording, music
publishing and personal management agreements are analyzed and discussed. Topics include: negotiation
considerations; deal points; and record company economics and profitability.
MMI 573. Music Copyright and Publishing
A study of essential provisions of the 1976 Copyright Act and the protection of intellectual property, covering the
principles and practices of modern music publishing and international co-publishing. Students examine the
complexities of copyright law as it relates to the music industry. Various domestic and foreign publishing
agreements and copyright registration forms, which are currently utilized in the music publishing industry, are also
analyzed.
MMI 574. Record Industry Operations
Organization, background, legal, and technical development of the modern domestic and multi-national record
company. Departmental responsibility, interaction, and the role of the managers. Preproduction, production and
postproduction responsibilities including repertoire selection, budgeting, recording, and packaging. Topics include
company structure, artist and repertoire administration, release schedules, business affairs, and industry ethics.
Basic copyright law pertaining to sound recordings, industry problems and, economics. Application of relevant
computer software programs and information systems.
MMI 575. International Marketing and Promotion of Recorded Music
An in-depth study of the structure of the recording industry, distribution patterns, merchandising methods, and
promotion and marketing techniques that are unique to the industry. The role of the multinational entertainment
conglomerate as it affects international sales is also examined. Topics include merchandising rights, domestic and
international licensing of recorded music, trade publications, trade charts and information sources, campaign
development, and the role of radio airplay. Students develop comprehensive marketing and promotion campaign
plans and participate in class presentations.
MMI 578. Royalties in the Music Industry
An indepth study of the royalty payment procedures used in the music industry. Prerequisite: Approval of instructor.
カリキュラム詳細は ここから 。
＊その他特色＊
当学科は学生が運営するレコードレーベル「Cane Records」 http://www.canerecords.com 。
やパブリッシング会社「Category Five」があり、これらの組織に自主的に参加することで実際にアーティストの発掘からレコーディング、CD化、プロモーション、マーケティング、アドミニストレーションの経験を積むことが出来、実践的な知識と経験が積めます。
又毎週金曜日には、アメリカの各音楽産業で名声を得ている方々をゲスト･スピーカーとしてお招きし、実際に音楽会社の内部の動きや仕事についての情報交換が持てる場となっています。
学部、大学院ともにインターンシップ制度があり、卒業するには225時間のインターンシップをこなさなければいけません。この業界、コネクションと顔繋がりが非常に大切なので、インターンシップはスキルを身につけると共に今後の就職活動にも大きく貢献します。
＊奨学金＊
大学院生でよい成績を保っている生徒には年間＄６０００の奨学金が最高2年間授与されます。（学部生対象はありません）
＊Music Business学科教授陣＊
注）直接教授に問い合わせる時は、しっかりとマナーを守って失礼のない応対をしましょう。
James A. Progris （Director）
Email：jp@miami.edu
Rey Sanchez（Associate Professor)
Email：rsanchez@miemi.edu
Edward Asmus （Dean of Graduate School of Music)
Email: ed.asmus@miami.edu
William Hipp (Dean of Undergraduate of School of Music)
Email: whipp@miami.edu
＊大学院出願に必要な書類＊
Application Form, Application Fee ($65), Transcripts, Reference Letters (3), GRE Scores, Final Evaluation, TOEFL Exam, International Evaluation.
大学院出願に必要な入試要項及び推薦状フォームは
ここから 入手できます。
＊学部入試に関する情報＊
学部入試（編入も含む）には実技試験が課せられており、キャンパス内での実技試験を受けられない、遠方に住む人にはテープで自分の実技演奏を送付するシステムが採用されています。
実技試験の内容及び日程、留学生用学部入試要項は
ここから 入手できます。
実技試験の楽器ごとの課題曲は
ここから チェックできます。
＊学費＊
Music Businessに関しては、アメリカ大学の中でも先駆けであり、院レベルでも学べる数少ない大学の一つですが、授業料の高さは全米でも10本の指に入るほど。4年制の一年間の学費は＄30,000弱。詳細は ココ から。
大学院の1年間の学費は$22,000。又成績優秀者のMusicBusiness大学院生には年間$6000の奨学金（返還義務なし）がもれなく配給されます。
Bucklee College of Music, Music Business／Management（私立）
＊ロケーション＊
マサチューセッツ州、ボストン
＊Music School学部サイト＊
Music School
４年制レベルのみ。大学院は Suffolk University Accelerated MBA program に入学可。
＊学科サイト＊
Music Business ／Management
＊カリキュラムの特徴＊ ">
ビジネス・マネージメントの視点からのアプローチを重視。Strategic planning, Employee development, Managing change, Decision making, Small business start-up and management, Organizational structuring, Labor relationsなど。
＊カリキュラム抜粋＊
MB 405. Advanced Legal Issues and Contract Negotiation
Combines an examination of advanced legal topics relating to the music business with a workshop approach to the development of negotiating skills. Students will negotiate various agreements based on actual cases and work to settle disputes arising from the breaching and termination of agreements. Topics to be covered include record deals between artists and record companies, distribution deals between independent and major record companies, copublishing and administration deals, producers and production deals, touring and merchandising, trademark and copyright disputes, group break-ups, and disputes between artists and managers.
MB305. Music in the International Marketplace
Study of current issues affecting the international music marketplace with emphasis on understanding the international record business and international music publishing. Study of the major geographical areas where music is traded; discussion of music market activities in individual countries.
MB335. International Industry Operations: Music Publishing
A detailed analysis of the inner workings of music publishing companies, with emphasis on the role of the publisher in the acquisition, market development, and administration of copyrighted musical compositions. Topics include copyright registration and renewal, contractual relationships with composers, and an analysis of domestic and international licensing of the publisher’s catalog, through recordings, motion pictures, print, and performance rights. Relationships with foreign affiliates and subpublishers are also covered.
MB225. International Economics and Finance
An analysis of supply and demand in the international music marketplace, as affecting issues of pricing, employment, the output of goods and services, and competition. Emphasis is also placed on the techniques of financial management found within a music-oriented business, including planning and forecasting, allocation of resources, and profit analysis, as well as the monetary transmission mechanisms found in international business.
その他
Advanced Legal Issues and Contract Negotiation ,Advanced Management Techniques, Business Communications, Business Leadership and Ethics, Computer Applications in the Music Industry, Concert and Tour Promotion, Creative Promotion through Media, Current Issues in the Music Industry, Data Management and Statistics, E-Commerce 1, E-Commerce 2, International Economics and Finance, International Industry Operations: Music Publishing, International Industry Operations: Record Companies, International Marketing, Internship in Music Business/Management, Introduction to the Music Business, Legal Aspects of the Music Industry, Music in the International Marketplace, Music Intermediaries: Agents, Managers, and Attorneys, Music Products in Commerce, Music Products in Commerce, Music Technology in the Marketplace, Principles of Business Management, Principles of Financial Accounting, Senior Practicum 1 (Heavy Rotation Records), Senior Practicum 2 (Heavy Rotation Records), Taxation in the Music Business
カリキュラム詳細は ココ から。
＊Music Business学科教授陣＊
注）直接教授に問い合わせる時は、しっかりとマナーを守って失礼のない応対をしましょう。
学科教授陣リストは ココ から。
＊大学入試に関する情報＊
Burkleeは基本的に実技試験を入試に設けていません。しかし、近年最低２年間の楽器経験や基本的な楽典、音楽理論があることが要求されていることは要綱欄の記入項目をみてもわかります。
留学生はビザの申請の期間を見込む必要があるので、入学希望のセメスター開始日の遅くとも６ヶ月前には出願を完了するように。
留学生の為の出願手続き詳細は ココ から。
出願要綱のダウンロード、出願に必要な書類のチェックリスト、方法は ココ から。
入試に関する問い合わせ先は
E-mail: admissions@berklee.edu
＊大学院入試に関する情報＊
Berklee音楽大学自身は大学院を設けていません。しかしSuffolk University Accelerated MBA program（リンクは上記にあります）でビジネスを２年間ボストンキャンパス、サテライト教室、あるいはオンラインで履修することができます。（完璧にビジネスのみのカリキュラム。）
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Western Illinois University、Music School, Music Business（州立）
＊Undergraduate of Music Business＊
４年制レベルのみ。大学院レベル無し。
＊ロケーション＊
イリノイ州、Macomb
＊Music School学部サイト＊
Music School
入学総合情報は ココ から。
Undergraduate Music Business in Music School のカタログは ココ から。
＊カリキュラム抜粋＊
A.Music Business
1.Special Courses: 15 s.h.
Mus 141, 195, 341, 348 or 485, 442, 441
2.Other Requirements: 21 s.h.
Acct 200; CS 102; Econ 231; Mgt 349; IM 320; Mktg 327; Psy 100
Note: Econ 231 and Psy 100 are specific requirements from the University General Education Curriculum.
3.Directed Electives in a grouping approved by adviser to total 16 s.h. (7 s.h. of which must be in music): 16 s.h.
HRM 353, 441, 442, 443, 444, 449
Mgt 350, 425, 445, 447, 474
Mktg 317, 331, 333, 335, 343, 417
Mus 241, 342, 343, 344, 345, 348, 485
141. (formerly Mus 288) Introduction to Music Business. (2)
An introduction to the field of music business through a review of the various areas and careers within the music industry including music publishing, recording, merchandising, concert promotion, artist management, and arts administration.
195. American Popular Music. (3) (General Education/Humanities or Multicultural Studies)
A survey of American popular music from the 19th century to the present. Includes extensive listening to representative styles and outstanding works within those styles, with discussion of historical, sociological, and musical influences. Recommended for those without music background.
341. (formerly Mus 382) Music Publishing. (2)
A study of publishing as it relates to the music industry. Topics will include how music publishers acquire the rights to music copyrights and how they protect music copyrights from exploitation through music licensing.
348. (formerly Mus 386) Music Recording and Production Techniques. (3)
Recording acoustic music and producing music from digital and analog formats using standard microphones, mixers, and storage media. Additional emphasis on traditional and microcomputer editing techniques. Also includes procedures for producing a final product for commercial distribution.
485. Techniques of Electronic Music. (3)
Fundamental concepts in electronic music and classical techniques in studio work.
441. (formerly Mus 486) Current Issues in Music Business. (2)
A study of current issues in the music industry. Included will be in-depth research into the student's area of interest and preparation for internship and employment.
442. (formerly Mus 476) Internship. (3-12, not repeatable) A one-semester internship in music business.
342. (formerly Mus 383) Music Administration. (2)
A study of not-for-profit music organizations with an emphasis in symphony orchestra and opera company administration. Includes an examination of organization structure, funding, and audience development.
343. (formerly Mus 384) The Music Products Industry. (2)
A study of the domestic and international music products industry. Topics will include the manufacturing, distribution, and retailing of musical instruments, print music, and accessories.
344. (formerly Mus 388) Artist Development. (2)
A study of artist development and the live music industry from the perspective of the performing artist. Topics will include the performing artist's management team, the artist-management agreement, advancing an artist's career, touring, and concert promotion and production.
345. (formerly Mus 389) The Recording Industry. (2)
A study of the domestic and international recording industry. Topics will include industry structure, operations, and business and legal affairs. Both major and independent labels will be explores.
348. (formerly Mus 386) Music Recording and Production Techniques. (3)
Recording acoustic music and producing music from digital and analog formats using standard microphones, mixers, and storage media. Additional emphasis on traditional and microcomputer editing techniques. Also includes procedures for producing a final product for commercial distribution.
＊学部連絡先＊
Music Department
Western Illinois University
1 University Circle
Macomb, Illinois 61455-1390
phone: (309) 298-1544
fax: (309) 298-1968
e-mail Randall Faust, Interim Chair, RE-Faust@wiu.edu
e-mail Cheryl Matteson, Secretary, CS-Matteson@wiu.edu
e-mail Yvonne Oliver, Secretary, YL-Oliver@wiu.edu
＊その他の特色＊
1987年、Music Business Associationが設立されました。
設立の目的：
1) for the advancement of knowledge and education in the field of music business;
2) to increase the awareness within the university community of the field of music business;
3) to provide a forum for guest lectures, field studies, presentations and discussions in various areas of music business; and
4) to sponsor activities wherein the membership can gain experiences in leadership, advertising, sales, promotion, and management roles.
＊入試実技試験 ＊
すべての学科に入学を希望する生徒は実技試験と、入学後必要となる音楽理論と聴音、そしてピアノのクラス決めテストが課せられます。オーディションに関する詳細情報は ココ から。
オーディション推薦曲に関する情報は ココ から。
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New York University、Department of Music and Performing Arts Professions, Music Business（私立）
＊Undergraduate ＆ Graduate of Music Business in Steinhardt School of Education＊
４年制大学、大学院有り。
＊ロケーション＊
ニューヨーク州、New York City
＊Music School学部サイト＊
Music Business
入学出願要綱及び情報は ココ から。
Undergraduate Music Business in Music School のカリキュラム、入試に関するサイトは ココ から。
Graduate Music Business のカリキュラム、入試に関するサイトは ココ から。
＊カリキュラム抜粋(for Graduate)＊
Music Industry and Foundation Courses (36 credits)
Principles & Practice in the Music Industry
Law and the Music Industry
Environment of the Music Industry
Promotion and Publicity in the Music Industry
Strategic Marketing in the Music Industry
Concert Management
Managing the Performing Artist
Ethics of the Entertainment Industry
Colloquy: Issues in Music Management Internship
Basic Statistics
Global Music Management – NYU London (January intersession)
School of Business Courses (12 credits)
Financial Accounting and Reporting
Managing Organizations
EMT (Entertainment Media & Technology) courses
Business Elective (usually with an international or management focus)
** For course descriptions, please refer to The Steinhardt School of Education and Leonard N. Stern School of Business bulletins.
Electives (6 credits)
＊学部連絡先＊
35 W.4th Street, Suite 777
New York, NY 10012
Tel:212-998-5424
Fax:212-995-4043
教授陣の詳細は ココ から。
＊その他の特色＊
NYUの学生によるレコードレーベル、Village Recordsがあります。ウェブサイトは ココ から。
＊入試実技試験＊
4年制に入学を希望する生徒は実技試験、聴音などが課せられます。オーディションに関する詳細情報は ココ から。
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University of Southern California、Thornton School of Music, Music Industry（私立）
＊Undergraduate of Music Industry
４年制大学のみ。
＊ロケーション＊
カリフォルニア州、LA
＊Music School学部サイト＊
Music Business
Undergraduate Music Industry in Music School のカリキュラムに関するサイトは ココ から。
Undergraduate Music Industry in Music School の入試、必要書類に関するサイトは ココ から。
＊入試実技試験＊
同学科にはBachelor of Music と Bachelor of Scienceの二つの学位が設定されており、どちらを希望するかによって入試形態も違います。
BMの場合、実技試験が必要になり、入試は受験者の音楽的バックグラウンドを重視する一方、BSは今までの学問レベルが重視され、実技免除のかわりに面接が課せられます。カリキュラム自体は同じですので、音楽経験がない方にとってはBSがよいでしょう。詳細は上記「入試、必要書類に関するサイト」を参照。
＊カリキュラム抜粋(for Graduate)＊
MUSIC INDUSTRY (MUIN)
270 Introduction to the Music Industry (4, Sp) A survey of the music business with emphasis on distribution of recorded music, music publishing, performance rights societies, record companies, agents, personal managers and contracts. Open to music industry majors and minors only.
275ab Recording Arts Workshop (4-4, FaSp) Principles, techniques, and aesthetic possibilities of the recording studio chain and its application to various media. Open to recording arts and music industry majors only.
280 Communications in the Music Industry (4) A survey of the music industry communications including radio, television, film, satellite communications, records, compact disc, cassette, cable and any future forms of transmission and delivery systems.
286 Record Production Management (2, FaSp) Function of the record producer, studio procedures, music business law, union relations, artist management, copyright and publishing agreements, record company structure.
287 The Business and Economics of the Recording Industry (2, Fa) Economic considerations of home, studio and location recording. equipment, labor, facilities, media, legal and tax considerations will be explored.
291 The Mixing Console (2, Fa) Professional mixing console design, layout, operation, mic preamps, switching, VCAs, automation, computerized recall. Prerequisite: MUIN 275b.
340 Introduction to Sound Reinforcement (4, Sp) An introduction to the practical application of large scale sound reinforcement for concerts, sporting events, church services and convention situations. Prerequisite: MUIN 291.
360 Introduction to Music Law (4, FaSp) A study of entertainment law with a focus on the music industry. Areas of study include contracts, domestic practices, international practices, copyright protection, trademarks. Prerequisite: MUIN 270; corequisite: MUIN 280.
370 Distribution of Recorded Music and Music Publishing (4, Sp) A survey of various methods used to distribute music to the public. Record distribution, manufacturing, retail outlets, accounting, publishing and performance rights. Prerequisite: MUIN 360.
377 Microphones and Their Applications (2) An in-depth study of microphones and their applications including design, operation, polarity patterns and multi-micing in location and studio situations. Prerequisite: MUIN 291.
379ab Recording Studio Theory (a: 2, Fa; b: 2, Sp) Basic electronic concepts needed to understand operational parameters of a state-of-the-art recording studio; schematics, interface, capacitance, resistance, and problem solving. Prerequisite: MUIN 275b.
380 Tape and Tape Recorders (2, Fa) Professional analog tape recorders and tape including tape composition, formats, head design, logic, and locator design and operation. Prerequisite: MUIN 275b.
385 Radio in the Music Industry (4, Fa) A survey of radio; its operation and effect on the music industry. Topics include advertising, playlists, program direction, FCC, networks, news, promotion, payola and format development.
389 Digital Equipment and Recording (2, Fa) Digital equipment including computers, sequencers, digital signal processors, digital synthesizers, MIDI, and rotary and stationary digital recording. Prerequisite: MUIN 275b.
392ab Acoustics and Speaker Design (2-2, FaSp) Principles of acoustics relating to studio construction, wall treatment and furnishings; natural reverberation, speaker materials, passive and active crossovers, and time alignment. Prerequisite: MUIN 291.
425 Live Music Production and Promotion (4) A survey of the presentation of the live musical experience. Both classical and popular concert presentation will be examined including venue selection, promotion and security.
430 Artist Management and Development (4) A study of issues relating to the personal management of music artists including negotiating contracts, image, career development, agents, touring, merchandising, fees and duties.
435 Manufacture and Distribution of Musical Products (4, Sp) An in-depth study of musical instrument manufacture and distribution in the United States. Topics covered include sheet music, instrument rentals, lessons and band operations.
440 Arts Management (4, Fa) A survey of the management of non-profit and for-profit arts organizations with emphasis on funding, donor development tax status and promotion.
442 Operation of the Radio Studio (2, Fa) An in-depth study of radio studio technical operations. Topics include consoles, microphones, transmission considerations, networks, satellites, and digital and analog production situations. Prerequisite: MUIN 275ab.
443 Supervision of Music for Television and Film (4, Sp) Introduction to music designed for synchronization to picture including history of music in cinema, music editing, supervision, performance rights licensing, production and music scoring procedures. Prerequisite: MUIN 270.
445 International Music Industry (4, Sp) A survey of international operations of music distribution, publishing, touring, law, promotion, customs and practices. Prerequisite: MUIN 370.
446ab Computer Assisted Recording and Editing (2-2, FaSp) Techniques and applications of recording and editing sound on personal computers. Hardware, software, editing for song, sound effects and dialog for film.
447 Radio Management (4, Fa) An in-depth study of radio management including staffing, revenue management, program development, communications, regulations and international networking. Prerequisite: MUIN 385.
448 Computer Music Notation and Preparation (2, FaSp) Techniques and principles of computer music notation including conventions of music notation, idiomatic practices, preparation of significant score types, and MIDI basics.
450 Practicum in Music Industry Issues (Internship) (2-4, max 8, FaSp) Field application of music industry theories and practices; part-time employment. Project jointly defined by student, employer and professor. Junior or senior standing. Graded CR/NC. Prerequisite: MUIN 360.
476ab Advanced Sound Reinforcement (2-2, FaSp) Special problems of multimedia mixing with simultaneous audio re-processing for live performance situations including rigging, house mix, monitor mix, venues and power distribution.
477 Remote Recording Techniques (2, Sp) Special problems of location recording; specialized equipment; microphone design and operation. Prerequisite: MUIN 377.
478 Advanced Multichannel Remix (2, FaSp) Special problems of multichannel remixing with simultaneous audio re-processing. Album, film, television and multimedia formats will be covered. Prerequisite: MUIN 291.
488ab Recording Studio Maintenance (2-2) Fundamentals needed to perform maintenance on professional audio equipment including trouble-shooting, interface, and alignment procedures. Prerequisite: MUIN 275ab.
490 Directed Research (2-8, max 8) Individual research and readings. Not available for graduate credit. (Duplicates credit in former MUPF 490.) Prerequisite: departmental approval.
493 Audio Signal Processing Equipment (2, FaSp) Principles and design characteristics of digital and analog signal processing equipment including plate and digital reverbs, synchronizers, digital editing systems and mastering systems. Prerequisite: MUIN 291, MUIN 380.
494 Classical Music Recording (4, FaSm) Principles of classical music recording with emphasis on history, equipment, techniques, and locations. Differences in orchestral, choral, opera, and small ensemble recording.
498 Final Project (1, max 4, FaSp) Required for students who are working on recording projects. Booking of studios, weekly review of projects and advice on procedures and progress.
499 Special Topics (2, max 8) Selected topics of current interest.
570 The Music Industry (4, FaSpSm) A graduate level survey of the music business with emphasis on distribution of recorded music, music publishing, performance rights societies, musical products and live music.
575 Music Technology and Production (4, Fa) Fundamentals of audio recording. Focuses on the principles and applications of sound and hearing, recording systems and their components, and production techniques.
590 Directed Research (1-12) Research leading to the master’s degree. Maximum units which may be applied to the degree to be determined by the department. (Duplicates credit in former MUPF 590). Graded CR/NC.
＊音楽ビジネス学科連絡先＊
Music Faculty Building 416
(213) 740-3224
Chair: Richard McIlvery
＊音楽学部入試課連絡先＊
United University Church 218
(213) 740-8986
FAX: (213) 740-8995
Director: Phillip Placenti
教授陣の詳細は ココ から。
＊学費＊
アメリカ大学のなかでも学費が高くて有名なUSCだけあり、4年制の一年間の学費は＄30,000を超えます。詳細は ココ から。
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