Notes From the Shadows of Cooperstown: ‘Tweener
July 1, 2008 by Gene Carney · 1 Comment
EIGHT MEN OUT REMEMBERED
Eliot Asinof died on Tuesday, June 10, three days before I flew to
This was my first time to
I think the tour we took could be packaged as a tourist draw. Starting at the IMHM, our bus stopped at the Meredith Nicholson Home (the Bards Room in the film), the US Court House (where the B-Sox trial and a few other scenes were shot), and Bush Stadium (which doubled in the film as
There were several “extras” along on the tour, to add some color commentary to our guides’ stories. It must have been a fun movie to make, for all involved, judging from the 20-year-old memories that were on display. I had warmed up for the day by watching the 20th-Anniversary DVD, which includes a scene-by-scene commentary by Sayles. (More on that in a future issue.) The effect of that and the tour was to deepen my appreciation for the care Sayles and his crew took, to get things looking right, taking us back to 1919.
The festivities also included a full day of Vintage baseball on the IMHM grounds, six teams of young(er) men playing with old uniforms, equipment and rules. Over the years, I’ve concluded that Vintage ball is most fun when you are playing, and it often can be played by almost everyone — including older folks, women and children! It’s not my cup of tea as a spectator sport, tho, and maybe that’s why baseball evolved and spread in popularity as a sport to be played first, and watched second. Somehow, I think it would have done just fine without those crowds and cheering Katie Caseys, without peanuts and Cracker Jack.
My talk on the B-Sox was not the only presentation, Geri Strecker gave a nice session on Oscar Charlton and Black Baseball in
Our setting was the room in the IMHM that had been used for autopsies — a classroom with steep rising rows of chairs and balconies above, all focused on the center space. “A perfect spot to dissect the 1919 Series.” I observed that while it sometimes goes rough on de-mythologizers, that has not been my experience when I try to separate the fact from the fiction in 8MO . Most folks realize that movies often enhance or distort or embellish on history. 8MO is no exception, and while it is a terrific filming of Asinof’s book, the book itself is problematic in many ways. A good example is in NOTES #413 , where I sorted out the chronology of the film 8MO , between the end of the 1919 Series and the 1921 trial. Lately I’m thinking this is perhaps the most serious flaw: the film covers up the cover-up! Many fans, familiar with the film, are stunned to learn that another whole season went by before the Fix became public knowledge.
It was a long, full, fun day, and I can’t wait till the 25th Anniversary comes along. By then, we ought to know a lot more!
A week later, June 21,
Fittingly, the ceremony was short and simple. Bobby Richardson was one of several former ML players to attend, and he spoke for everyone, I think, when he shared his opinion that
The house is small, but loaded with history. The displays are not distractions — it would be easy to cover every wall with some poster or artifact. No,
I gave a lunchtime talk to the local SABR Chapter, and focused on
The media seemed to take this event as the launching of some new campaign to clear
The above is an excerpt from Issue #450 of Gene’s Notes From the Shadows of Cooperstown. To read the rest of the issue (or past issues), click here .
“..Geri Strecker gave a nice session on Oscar Charlton and Black Baseball in Indianapolis. It could have fit nicely into a SABR convention or a Negro Leagues workshop.”
And she DID give this presentation at the SABR convention this past week!