One of the most encouraging developments of the past few years has been the rise of a whole raft of fine new young white rock bands from the South. With the Allman Brothers leading the way, such groups as Wet Willie and Hydra draw heavily on their blues and country roots, playing a music that has the drive and volume of the best heavy metal, that's "authentic" enough to satisfy even the most niggling purists, and that's keynoted by unusually high standards of musicianship.

The Marshall Tucker band comes straight from this new tradition, and their debut album is a moving piece of work that bids to put them in the same league as the Allmans damn fast. It's tight, smoking music, with sharp, ringing lead guitar work and sure vocals that are grittily felt but never strained. Music from the Carolina soil, full of blues and gospel influences, but so full of ideas that they never have to fall back on such space-fillers as slow blues jams.

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- Lester Bangs, Rolling Stone, 6/21/73.

Bonus Review!

With flute and the occasional blast of horns, the Marshall Tucker Band were one of the most laidback Southern country-rock outfits of the late '70s. Their first album easily demonstrates this, and it still holds up well, with "Take the Highway," "Can't You See," and "Ramblin'" sounding particularly strong. * * * *

- Stephen Thomas Erlewine, The All-Music Guide to Rock, 1995.

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