In this powerful work, aspects of primeval plant life and architecture intersect, heightening the rhythm, while it also seems to contain some elements of magic.」
The title of this sculpture derives from a combination of the Greek words "októ" for eight and "tetra" for four. This work is a play sculpture that visitors can touch and play in.』
Nature plays a rhythm when the wind blows the many pipes in this sculpture to generate sounds. The artist who created this sound object is a lover of music.』
This figure projects a melancholy mood as she reflects on the original sin. The artist closes in on the subject, creating a psychological portrayal that expresses the model's inner consciousness.」
『パヴィリオン彫刻Pavilion Sculpture マックス・ビル(スイス)Max Bill (Swiss)』。
「マックス・ビル(スイス)
Max Bill (Swiss)
1908–1994
パヴィリオン彫刻
Pavilion Sculpture
1969
白花崗岩
white granite
12個の石を立方体の構造にそって積み上げた、東屋のような作品です。
数学的な計算に基づいて制作されました。
【1993年に世界文化賞を受賞】
Twelve stone blocks have been stacked to create a cube resembling a pavilion. It has been constructed according to mathematical principles.
With her right hand on her hip, her left hand hanging down and her head tilted to one side, we can feel the intention of the artist to attach importance to the movement of every part of the figure.」
Capturing the moment when two circus clowns succeed in performing a trick, their cry as they do so provides the work's title, their colorful forms creating a delightful image.」
This is a statue of the biblical figure of John the Baptist, whose coming had been prophesied as "A voice of one calling in the wilderness." Influenced by Picasso's Cubism, Gargallo constructed sculptures consisting of a collection of planes, creating a technique similar to openwork.」