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☆Tadami Yamada's Paintings 新アダムとイヴの誕生
☆Tadami Yamada's Paintings 新アダムとイヴの誕生２
☆Tadami Yamada's Paintings 無量寿経シリーズ
☆Tadami Yamada's Paintings「私は美しい」シリーズ
☆Tadami Yamada's Paintings りんご充満空間シリーズ
☆Tadami Yamada's Paintings 花のマスクシリーズ
Tadami Yamada's Painting
Tadami Yamada's Painting
☆Tadami Yamada's Paintings 回 顧 展 ｐａｒｔ １
☆Tadami Yamada's Paintings 回 顧 展 ｐａｒｔ ２
☆Tadami Yamada's DRAWINGS 1
☆Tadami Yamada's DRAWINGS ２
☆Tadami Yamada's DRAWINGS ３
☆Tadami Yamada's 小さな絵日記より
☆Tadami Yamada's Still Life：静物画（1）
☆Tadami Yamada's Japanese style:「和」
☆Tadami Yamada's 素描（1）野菜シリーズ
☆Tadami Yamada's 素描（2）貝殻シリーズ
☆Tadami Yamada's 素描（3）はんなりシリーズ
☆Tadami Yamada's 素描（4）人形シリーズ
☆Tadami Yamada's Paintings 回顧展Part3
☆Tadami Yamada's Paintings 回顧展Part4
☆ディクスン・カーの為のブックカヴァー
part 2 早川書房版
☆Tadami Yamada's Poetry 詩画集「遊卵飛行」
☆Tadami Yamada's Works: ブック・カヴァー選集
☆Tadami Yamada's イギリス・ミステリ傑作選カバー
☆Tadami Yamada's サンリオSF文庫他
☆Tadami Yamada's 光瀬龍、宇能鴻一郎、泡坂妻夫、志水辰夫他カバー
☆Tadami Yamada's ハヤカワ・ノヴェルズ、他
☆Tadami Yamada's 絵のない装丁
☆Tadami Yamada's ドラキュラ叢書
☆Tadami Yamada's Illusto., Part１『闇の国の子供』
☆Tadami Yamada's『妖怪博士ジョン・サイレンス』
☆Tadami Yamada's Part3『プラネタリウム』
☆Tadami Yamada's Part4『世の終わりのイヴ』
☆Tadami Yamada's Part5『洪水伝説』他
☆Tadami Yamada's Part6 児童書その他の挿画
☆Tadami Yamada's Part7 『心霊術入門』その他
☆Tadami Yamada's Part8『別冊宝島仕事の本』
☆Tadami Yamada's Part9 初期雑誌挿画
☆Tadami Yamada's ドラキュラ叢書『ジャンビー』挿画
☆Tadami Yamada's ドラキュラ叢書『幽霊狩人カーナッキ』
Tadami Yamada's monochrome cuts -#1
Tadami Yamada's monochrome cuts -#2
■Yamada's Article（1）卵形の象徴と図像
■Yamada's Article（2）ユングの風景画
■Yamada's Article（3）画家ムンクの去勢不安
■Yamada's Article（4）夢幻能と白山信仰
■Yamada's Article (5) 城と牢獄の論理構造
■Yamada's Article（6）ムンク『叫び』の設計と無意識
■Yamada's Article (7) 病める貝の真珠
■Yamada's English Article (8) 能の時空間の現代性
■Yamada's Article (9)『さゝめごと』に現われた十識について
■Yamada's Article（10）狐信仰とそのイコノグラフィー
■Yamada's Article (11) 江戸の「松風」私論
■Yamada's Article (12) 伊勢物語「梓弓」について
■(13)英語訳論文「ムンクの『叫び』の設計と無意識」
■(14)英語訳論文『狐信仰とそのイコノグラフィー』
■(14-2)英語訳論文『狐信仰とそのイコノグラフィー』
■(15)英語訳論文『卵形の象徴と図像について』
■(16)英語訳論文『夢幻能の劇構造と白山信仰との関係考』（1)
■(16-2)英語訳論文『夢幻能の劇構造と白山信仰との関係考』(2)
■(17)英語訳論文『モンドリアンの自画像について』
■(18)英語訳論文『霧に対する感性の考察』(1)
■(18-2)英語訳論文『霧に対する感性の考察』（２）
■英語訳エッセー『柔らかい建築 Soft Architecture』
■(19-1)英語訳論文『エドヴァルド・ムンクの去勢不安』(1)
■(19-2)英語訳論文『エドヴァルド・ムンクの去勢不安』(2)
■(20)英語訳論文 『伊勢物語の「梓弓」について』
■(21)英語訳論文『C.G.ユングの風景画をめぐって』
■(22)論文『遠近法の思想と視線の哲学』
■(23)英語エッセイ「Mirror, Oh Mirror (鏡よ鏡)」
■(24) 論文『骸骨の図像学』
☆自画像日記
☆インタヴュー Vol.1
☆インタヴュー Vol.２
☆インタヴューVol.３
☆インタヴューVol.４
☆Tadami Yamada's Collage:日替りコラージュ
☆Tadami Yamada's Collage:日替りコラージュPart2
☆Tadami Yamada's Collage:日替りコラージュPart3
☆Tadami Yamada's Collage:日替りコラージュPart4
☆Tadami Yamada's Collage:日替りコラージュPart5
☆Tadami Yamada's Collage:日替りコラージュPart6
☆Tadami Yamada's Collage:日替りコラージュPart7
☆Tadami Yamada's Collage:日替りコラージュPart8
☆Tadami Yamada's Collage:日替りコラージュPart9
☆Tadami Yamada's Collage:日替りコラージュPart10
☆Tadami Yamada's Collage:日替りコラージュPart11
★山田芝恵書道展
☆ Tadami Yamada's short story
Death Mask
That Man
The Infancy Lover's Suicide
★Poetry of Tadami Yamada（1）
Poetry of Tadami Yamada(2)
Poetry of Tadami Yamada(3)
Poetry of Tadami Yamada(4)
Poetry of Tadami Yamada(5)
Poetry of Tadami Yamada(6)
Poetry of Tadami Yamada(7)
Tadami Yamada's HAIKU
Tadami Yamada's HAIKU (2)
★山田維史の画集・年鑑
Free Poster （無料ポスター）
Free Poster 2 (無料ポスター）
Free Poster 3 (無料ポスター）
ウクライナ連帯の無料ポスター（1）
ウクライナ連帯の無料ポスター（2）
ウクライナ連帯の無料ポスター（3）
戦争反対・表現の自由／無料ポスター(1)
戦争反対・表現の自由／無料ポスター(2)
ウクライナ連帯の無料ポスター（4)
共存は美しい
難民の日ポスター
パンを！
撃つな！
DON'T SHOOT !
This is the world
命の尊厳：Sanctity of Life
政治の腐敗
Stop All Wars
核廃絶ポスター
World Now ポスター
✴️Tadami Yamada’s Brief Personal Record
✴️山田維史略歴
Apr 30, 2009
カテゴリ： 詩・俳句・短歌・英語俳句・英語詩
【散文詩：A prose poem】
野に来て（1965年）
Coming Along to the Field (1965)
It was july 1965. In the evening, I came along to the field alone pushing a bicycle. It looked like the rain. The mountains beyond laied in haze. The wind was blowing a little. Poplar trees fluttering leaves looked like weeping in the distance.
I picked up some pebbles, threw them over ones and twos. Those fell dozens meters away, scattered dry, hard, short trailing notes.
Evening primrose, Eritrean, Plantain, Polygon, Chenopod, ---these were wild flowers in there.
Someone died that day. My lover.
I couldn't realize it, so I was crying there. The dead person's gentle voice was calling to my mind, went on to hail me. The landscapes were then gradually gathering the night's shades, and a stone in my hand was sinking down into deep shadoes. I thought the tomorrow morning would be cold but brilliant.
The morning would always be a grave post, although it would be sad, yet it would certainly be a brilliant grave post of a day. This imagination drilled my heart and body., made me dry sands which resembled to procession of the funeral dotting with dull color like ant's row. My dry sandy mind and body would scatter to the winds over mountains along the tomorrow dawn.
Evening primroses bloomed then, opening their petals clumsy. Nevertheless there's not the moon that night. Would flowered evening primroses hold mist tight in the dark?
My thought was:
"Death may come at any hour. Fata viam invenient.
Why am I crying? Death is the same as life in the macrocosm, I know well. But why do I feel sorrow dropping tears in silence?"
I was standing , to be enveloped with mist, and to lose the landscapes of surroundings. I thought that these things would become to my memory, and would grew on the walls of my mind like mosses, and which would draw me into past in sometimes.
When I die, the moss of memory would grew with blue color in my grave unknown other people. So I would see again my lover who died, peeling blue mosses one by one, I would exchanged pleasant chats with her about us no human beings without saying the word you and I.
In the yellow floweres garden where I dreamed before, I would be at my own sweet would pleasure.
Coming along to the field, I was thinking till when. It was july 1965. I was twenty.
Copyright (c) 2009 Tadami Yamada. All Rights Reserved.
野に来て（1965年）
Coming Along to the Field (1965)
It was july 1965. In the evening, I came along to the field alone pushing a bicycle. It looked like the rain. The mountains beyond laied in haze. The wind was blowing a little. Poplar trees fluttering leaves looked like weeping in the distance.
I picked up some pebbles, threw them over ones and twos. Those fell dozens meters away, scattered dry, hard, short trailing notes.
Evening primrose, Eritrean, Plantain, Polygon, Chenopod, ---these were wild flowers in there.
Someone died that day. My lover.
I couldn't realize it, so I was crying there. The dead person's gentle voice was calling to my mind, went on to hail me. The landscapes were then gradually gathering the night's shades, and a stone in my hand was sinking down into deep shadoes. I thought the tomorrow morning would be cold but brilliant.
The morning would always be a grave post, although it would be sad, yet it would certainly be a brilliant grave post of a day. This imagination drilled my heart and body., made me dry sands which resembled to procession of the funeral dotting with dull color like ant's row. My dry sandy mind and body would scatter to the winds over mountains along the tomorrow dawn.
Evening primroses bloomed then, opening their petals clumsy. Nevertheless there's not the moon that night. Would flowered evening primroses hold mist tight in the dark?
My thought was:
"Death may come at any hour. Fata viam invenient.
Why am I crying? Death is the same as life in the macrocosm, I know well. But why do I feel sorrow dropping tears in silence?"
I was standing , to be enveloped with mist, and to lose the landscapes of surroundings. I thought that these things would become to my memory, and would grew on the walls of my mind like mosses, and which would draw me into past in sometimes.
When I die, the moss of memory would grew with blue color in my grave unknown other people. So I would see again my lover who died, peeling blue mosses one by one, I would exchanged pleasant chats with her about us no human beings without saying the word you and I.
In the yellow floweres garden where I dreamed before, I would be at my own sweet would pleasure.
Coming along to the field, I was thinking till when. It was july 1965. I was twenty.
Copyright (c) 2009 Tadami Yamada. All Rights Reserved.
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