Two days ago, on the 24th, surprising news in classi- cal literture was reported all at once in each media. It is said that the Fukuda Art Museum in Kyoto City pur- chased a self-written manuscript "Nozarashi Kikou" with iluustrations by Matsuo Basho, which whereabouts were unknown for about half a century, from an art dealer in Osaka. Professor Emeritus Shinichi Fujita (Japanese literature) of Kansai University, who made the appraisal, said that it must be Matsuo Basho's autograph because of the characteristics of his handwriting. This self-written manuscript with illustrations, "Nozarashi Kikou" scroll, is not a new discovery, as there are still photographs before the whereabouts became unknown. But it's amazing how unscathed it has been for half a century since it went missing.
Looking at the news photo (and video) this time, I saw Basho's picture for the first time from a distance, but I felt that it was "good". I like the haiku of Yosa Buson, who worshiped the dust behind Basho, rather than the haiku of Basho, who is said to be Haisei, and Buson is well-known painter. I was reading Buson's haiku while feeling the painter's sensibility. In front of the computer that is writing this diary, there is "Buson Haiku Collection". There is also his complete haiku collection book in another room. Of course, I have both Basho's complete haiku collection and Basho's seven-volumes collection. However, there are no pictures in those Basho's books that I own. I was now amazed at my uncertaities, "Did Basho also draw pictures?" And I am surprised that all the poets and writers of the Edo period are educated.
The rediscovery Basho's autograph "Nozarashi Kikou" scroll will be released at the Fukuda Art Museum from October.